The Axemen's Y2K Blog

Straight to Hell :: album :: SHOES THIS HIGH

reprinted from: https://www.midheaven.com/item/straight-to-hell-by-shoes-this-high-lp

STH LP Rear

STH LP Rear

While Shoes This High’s existence was a mere glint in the eye of Father Time (a year or more, tops), they made every second count, stalking the New Zealand post-punk landscape—both North and South islands—with ravenous abandon. For most fans, their legend and reputation rest solely on the strength of one highly formidable (and collectable) self-released 7-inch EP from 1981. And as anyone with ears who’s had the good fortune to come in contact with its jagged, scabrous genius can attest, the cry invariably rings out afterward: “Mein Gott, is this all there is?” In the 30-plus years since its initial release, the answer has been a most unflinching “yes.”

That is, until Siltbreeze tapped into the massive tape library of famed New Zealand underground music archivist Bob Sutton, who had in his possession a white-hot live scorcher of the group, culled from a set that went down at the infamous Billy the Club way back when. Straight to Hell showcases a band at the peak of their menacing powers.

[Deceased] Guitarist Kevin Hawkins slashes and rips strings from his ax like a mad butcher; the rhythm section of Jessica Walker and Christopher Plummer is par excellence, while the sneering, contemptuous vocals of singer S. Brent Hayward spit like poison darts above the swagger.

Expertly sequenced by Jared Phillips (Times New Viking), Straight to Hell is a most welcome and astonishingly great artifact that delivers in buckets a shivering, toxic rain you always knew had fallen.

Vinyl comes with a digital download of the complete album plus the four studio tracks from the original 1981 EP. One-time edition of 500—buy now or cry later.

MP3 samples, flac and other formats:
https://www.midheaven.com/item/straight-to-hell-by-shoes-this-high-lp

Up Front with the Yub Nubz

such a tease

such a tease

Hot on the soles of their forthcoming new 12″ release ‘Sac Tap Nut Jam’, the Axemen are chaffing at the bit for punters to step up into the stirrups climb into the saddle and hitch their wagons to the new guiding star, the star that comes from the South, the star that IS the Axemen. The current lineup, showing impeccable taste chose this outlet for their first official interview regarding the new album.

Steve McCabe - still working on the John Halvorsen / Eraserhead look

Steve McCabe – still working on the John Halvorsen / Eraserhead look

Steve McCabe, speaking from his idyllic kiwi coast bach in the Coromandel on the verge of a 3 month sabbatical in the Pacific Islands, was the first to speak out on the release:

Steve McCabe: “I was initially troubled by the concept of plant (‘inanimate’) objects being incapable of feeling pain. This is the reason we embarked on the ‘Sac Tap’ project in the first place. All things were pointing in this direction, we had a levy-breaking wall of song built up ready to breach the sea-walls, with nowhere else to run!” he enthused in answer to my first utterance “Hello”.

IMG_5391

William Daymond – Role Model for troubled youth

William Daymond: “Dragan came over and showed me the famous ‘swizzle-sticks in a jar’ experiment – believe it or not this was the first time i ever experimented with this kind of experiment – and frankly it blew me away. My ‘Sac Tap’ commitment started there”.

IMG_5341

Stu Kawowski – aka Ludwig van Beathoven

Stu Kawowski: “Yeah I kinda dug Will’s naivete in the beginning, but by the end of the sessions we were churning it up free flow like a machete machine with overblown muscle-cloth spun on a quantum wheel upon which no-one can see which way its rotating but experienced users can count the bleats”

IMG_5354

Dragan Stojanovic – go ahead… tap my sac!

Dragan Stojanovic: “I count my blessings. And I think the other lads are counting theirs. The Axemen are the only band I would get out of bed to play in. Of course I’m fantastic in bed too!”.

Accolades are already pouring in from all over the world and the roundabout at Stokes Valley Road is fast becoming a local tourist attraction, with double-decker buses frequently thrilling passengers by driving around it multiple times, in one case until one elderly passenger threw up (she soon recovered when the tour guide pointed out Dragan Stojanovic walking down the road to the alchemists and giving her and the other passenger his trademark “fingers” gesture – a Serbian sign usually reserved for Croation soldiers – much to the amusement of the appreciative cheering passengers).

Idols and rivals check out the scene

Idols and rivals check out the scene

Watch this Space[case] spacecasefor new revelations!

The Axemen wish to thank Ryan and Mor at Spacecase who were instrumental (and vocal) in making the project happen…  http://www.spacecaserecords.com/ cheers dudes!

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Done and Dusted – Dusted Magazine review of 3 Virgins re-release

Reprinted from: http://dustedmagazine.com/reviews/6567

Normally, when people use the phrase “a musician’s musician,” it’s meant to describe some Les Claypool nightmare whose dexterity and technical skill can only be properly appreciated by people who have also dedicated themselves to a life of fretless guitars and sweep arpeggios. That being said: When New Zealand’s Axemen want to be, they’re musicians’ musicians. It takes some effort to crack the self-serving exterior of their approach (getting drunk, recording off-the-cuff songs with whoever was hanging around, and releasing as much of it as humanly possible) but, as anyone who’s ever tried this approach themselves can attest, it’s completely intoxicating as long as you don’t muck it up by throwing in any pretensions of sophistication. By making their methods obvious and leaving very little to the imagination, Axemen have created a bunch of music that perfectly encapsulates the feeling of fucking around creatively with your friends.

Three Virgins is the final release in a series of terrific Axemen reissues Siltbreeze has put together, and by now it’s pretty clear that these records, pressed to wax in 1985, were a relic of their time and place. The idea of starting a non-terrible band with the expressed purpose of protesting a sexist milk advertisement has been left by the wayside, to say the least. Their willingness to experiment using the rock and roll song as a launchpad, but with few clear reference points, has gone almost unmatched in the DIY community since these albums were released the first time around. Granted, their apparent creative process has lived on in a less slapdash form, but the fact that Axemen were playing and releasing music with this mentality when recording your garage band could still be considered “hard work” is admirable, and near-singlehandedly makes these reissues worthwhile.

Methods aside, Axemen’s songs tend to do more than scrape by on the band’s charisma, falling somewhere between the droll bounce of Axemen’s countrymen Tall Dwarfs and the more stream-of-consciousness Swell Maps songs. (Emphasis on the “tend to,” though, if only because Three Virgins is 88 minutes long and is therefore destined to include some downtime, but the hilarious single-mindedness required to craft an entire double LP in the league of Three Virgins is to be commended regardless.)

While their Flying Nun contemporaries were crafting songs with relatively clear-cut roots in pop, punk and noise, Axemen were paving new routes into all three. While their results might not reach the transcendent heights of The Clean or The Verlaines, their charming lack of ambition and rickety, fuck-it mentality created something else entirely; misogynist ads and traditional song structures be damned.

By Joe Bernardi

William Daymond Interview (2010)

Posted in 2010 happenings, Christchurch, cultural studies, NZ bands, poetry by steve mccabe on October 14, 2011

Reprinted from: http://www.undertheradar.co.nz/utr/interviewMore/CID/212/N/The-Pickups.utr#ixzz1ag0v91MA

George Harrison’s post-Beatles output is overrated and The Monkees are criminally underrated. At least that is the case according to William Daymond from The Pickups. The Christchurch three-piece gave us an email interview with UTR recently and talked a lot about The Beatles, The Beach Boys and the aforementioned Monkees. There are definitely worse things to have a conversation about.

First of all, introduce yourselves & your bandmates.

The core trio of The Pickups are myself (William Daymond) on vocals and guitar, Jared Kelly on bass and Isaac Mawson on drums, although we have had extra members and special guests join us over the years.

Tell us the epic tale of your creation…

Isaac and I met at high school in our 6th form year in early 2000, when we were both 16. By the end of the year we were rehearsing on a regular basis as a two-piece, and spent most of the following year writing new material and getting tighter as a band.

We first played live at the Wunderbar in Lyttelton on 23 March 2002 under the name The Twin Towers (we named ourselves this, believe it or not, on September 10, 2001, as a reference to us being a two piece). We continued to play for the rest of the year, although at some point we changed our name to The Distractions. We took most of 2003 off while I played with Adam McGrath in The Sweethearts (a sort of early version of The Eastern).

We started playing as a two piece again under the name The Pickups in October 2003, however it was soon blatantly obvious to us that whilst being a two piece was a good idea in theory, we needed a bass player to fill out the sound, and we started looking for a potential candidate. It wasn’t till mid 2004 that we met Jared Kelly, who had recently moved to Christchurch from Timaru. By late 2004 we were rehearsing as a three piece, and played our first live show as a three piece on 9 October 2004 at Mainstreet Cafe, Christchurch.

Over the next three years we played live on a very regular basis, developing and working at our reputation as a good live band with well written songs, and for a period (September 2005 to April 2006) were joined by Isaac’s then girlfriend Bri Yaakoup on keyboards, who left us to concentrate on her involvement in Frase + Bri. We recorded most of our set in January 2007 with Marcus Winstanely at All Plastic Studios, however due to unforeseen delays involving mixing, mastering and completing the artwork the album was only able to be pressed in April this year (for example, when it came to mixing, due toconflicting time schedules we could only meet up every Sunday. On average we were able to mix one song per session, and with there being 14 songs to mix, and in some instances there ended being 5 or 6 different completed mixes of a song, the whole mixing process ended up taking over 4 months to complete).

In July 2007 we were put on temporary hiatus due to Isaac moving to Wellington, however with both Jared and I relocating to Wellington this year we have started to rehearse and play live again to promote the new album, and also to write new material. We will tour nationwide later on this year.

Do you think Christchurch has been a stimulating place to make music?

I found Christchurch to be a satisfactory and adequate place to develop as a band; I would have never described the town itself as “stimulating” in any shape or form.

Describe the defining moments that made you want to make music:

Listening to the Beatles for the first time when I was five made me want to play the guitar. Seeing Paul McCartney live when I was nine made me want to play live. Listening to Secret Box by The Chills when I was sixteen gave me the the confidence and impetus to write songs on a regular basis.

Apart from music, what else do you guys get up to?

Isaac and I play in a few other bands (ie. Cougar Cougar Cougar, Full Moon Fiasco, Red Country, Terror of the Deep, etc…) and we also go to university. Jared works full time.

What aisle would you slot into at your local record store?

If there was a Psychedelic Pop Rock section we would fit into that perfectly, but let’s face the facts, if you are a local band then you are going to be lumped in the “New Zealand / Local” section, regardless of what genre of music you make.

What artists have really got you excited lately?

This is a somewhat broad answer, but I relocated to Wellington in February, and in the three and a half months it took me to find a flat I had all my records and CD’s in storage, some of which I, up until then, listened to on a daily basis. They say absence makes the heart grow fonder, and when I finally found a flat and got all that material out of storage and checked out after nearly four months, to describe that as exciting is an understatement.

 

Describe the collaboration/writing process

In most cases I have the songs more or less finished by the time I present it to the band, however normally in rehearsal we will work on the structure of the song and make any changes there.

Dream collaboration?

Local: Martin Phillipps. International: Neil Young.

What’s the best thing about making music? Again, somewhat of a broad answer, but to see a song that you have written develop from just something you play around with in your room on guitar, then it being taught to the rest of the band, playing it live on a regular basis, recording it in a studio and then getting it preserved for eternity on replicated CD is a very satisfying and rewarding experience.

What gets you down about being in the music industry?

One thing about being a band in a small place like Christchurch is that it dosen’t really matter how good your songs are, how talented you are or how strong your work ethic is, basically if you are in a band the most important things are a) knowing the right people, and b) making music that is markateble in some shape or form. As a result I have seen some awesome bands get their noses turned up at because they either too old, don’t have the “correct” dress sense or don’t have good contacts. I have also seen some horrible bands get far more attention than they deserve simply because they are friends with the right people, and have a guest DJ with a pissfringe and a laptop computer.

Craziest on-stage antics experienced thus far?

I can think of a few; a very disgruntled local resident threw a chair at us midway through our first ever performance as a three piece with Jared (Mainstreet Café, Christchurch, 9 October 2004). As a result I had to write a 4 page report of the incident for the City Council. A very overweight and drunk dude in his 40′s with a long curly mullet and a novelty Jack Daniels jacket started heckling us at a performance at Al’s Bar, Christchurch in early 2006; Jared and I made a few offensive retorts back to him and he walked onstage with the presumed intention of picking a fight with us, however Al had to intervene at the last minute and kick the guy out.

Best concert you’ve ever been to?

When I was nine I saw Paul McCartney (with Linda on keyboards) live at Western Springs Auckland. It was awesome and unquestionably changed my life.

Who would you be willing to commit a serious offence for a chance to see live?

The Monkees (original 60’s lineup, with Nesmith). The Kinks, or at least the Davies brothers reunited on the same stage. The surviving members of The Beach Boys. Paul McCartney and Ringo Starr together.

Name someone who’s really overrated in music.

George Harrison’s solo material. A close friend of mine and I listened to, in chronological order, the entire Beatles solo back catalogue and unquestionably George has the least to offer out of the four of them. The only good album that he ever released is All Things Must Pass, and even that is far too long.

And someone who’s criminally underrated?

I think The Monkees are unquestionably the most underrated band in music history. They have so many myths surrounding them that many ignorant music fans believe and turn their noses up at them, despite the fact they are responsible for some of the most enduring songs of the 20th century. Also Paul McCartney’s solo career / Wings.

The state of NZ music is:

It’s somewhat of a double edged sword. Whilst there are probably the more opportunities available to NZ musicians than there has ever been before, its also probably the most unoriginal it has ever been, with too many depressingly bad carbon copies of international based acts being played on the television and radio to fill the quota when far more original and unique material goes unnoticed. NZ On Air should get it’s act together too, did they really need to fund six Boh Runga videos over the period of a year when there are many other bands who can’t even afford to lay down their set in a basic studio let alone release something?

If I wasn’t doing this, I’d be:

A Lion Tamer.

The Bill Classics (2010): The Above Ground Railroad

Posted in 2010 happenings, Audio, cultural studies, Gigs, literature, lyrics, music, NZ bands, Photograsps, poetry, releases, video by steve mccabe on October 23, 2010

October 2010 finds the dysfunctional Axemen family in myriad modes, each in his own sphere, each with their own worldview, each finding new connections, disconnecting others some halfhearted some heartfelt some hearty beef some harkening some heartlessly hardened, haggling and harrying. don’t ask don’t tell.

The Sultan’s Bat Tree 

some haranguing, some balls dangling sanguine like,
making a beeline for anything that smiles.
I see your point it stands out like a dogs bollocks
please can i have a block of your skin for my locket.

ditching a bat with simple bamboo slivers
tickling till the echoes subside
bats have no sense of humour
cave wetas may fear better

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Stevie & Stu play with Bill Direen at Devonport 20:10:2010

More to come…

Spaceman coming to earth

Posted in 2010 happenings, cultural studies, lyrics, music, poetry, vaudeville by steve mccabe on September 25, 2010

spaceman.coming.to.earth

spaceman.coming.to.earth

spaceman.coming.to.earth

a song by steve mccabe

lights on a sycamore tree
lit up like a christmas tree
what will the spaceman see when he comes to land?

a fight with a hand to hand expert
you’re bound to end up in the dirt
but its vile and sick to not give the spaceman a rousing hand

spaceman.coming.to.earth
spaceman.coming.to.earth

not used as yet:

a fine spectacle he made splashing down in the ocean
so much emotion
lollipop guards stand over the crossing like its a hooplah table
not just another drop in the ocean

coincidence is purely accidental
standing guard obviously wants it all

spaceman.breath.in
spaceman.breath.out
its in your best interests, its what its all about

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The_Illustrated_Steve_McCabe_Songbook_Entry (0): Too Loose To Trek

Posted in 2010 happenings, cultural studies, Food, lyrics, music, Photograsps, poetry, War by steve mccabe on May 22, 2010

TOO LOOSE TO TREK

Don’t let your genie loose in midstream

its horses for courses if you know what i mean

600 lb gorilla in a barr-brady suit

slick hair matted up like superglue

A rough-shod genie caught unawares and aloof in midstream ... "Hark!"

WTF? A rough-shod genie caught unawares and aloof in midstream ... "Hark!"

The critical mass runneth over

like a jehovas witness on gwynneth paltrow

looks like jealous bitchiness has the reins again

because when the rains come it looks like stormy weather again

Platos brain: hmm, perfect forms eh?

Platos brain: hmm, perfect forms eh?

A 600lb Gorilla in a Barr-Brady suit - An Officer and a Gentleman

Google Translate: Aye Carumba! not this shit again!

Google Translate: Aye Carumba! not this shit again!

Too loose to hang on to the reins!

when the rains come you will have mush for brains

if you keep your mind open

there’ll be bad brains rising from these tired remains!

Always counting chickens before they’re hatched

always have to steal my kisses down in the hatch

but your 6 ton ape is wearing falsies and a wig

and thats not real hair in his ear, its an earwig

Miss Peggy Lee

Miss Peggy Lee

Workin class man, no rod, bow or rifle

liable for libel, won’t give you an eyeful

of baubles, bangles and bronzed love beads

Can you tell me how to get to Simian Street?

Simian Street

Simian Street - scimitars ahoist

Janis Joplins Love Beads for sale

Janis Joplins unkempt 60's Love Beads for sale - as used in the original ad

Come with me and Peggy Lee on a slow boat to Harlem,

We’ll take the most rank cab that you got

handsome is as handsome does

this charming man has a hand in his glove

This is charming, man - bloody priceless

Charming... This is charming, man - bloody priceless!!

What he’s doing i couldn’t say

but he sure scared those pigeons away.

ooh yeah, but he sure scared those pigeons away.

hey hey, he scared those pigeons away.

HEARTBREAK HOTEL – TRUTH OR LEGEND?

Courtney Cox and Myley Cyrus tell of all night circus romp!

Tour Diaries: 2) Los Angeles, pre-tour

Posted in 2009 happenings, Apocalypse, cultural studies, government, law, poetry, travel, US Tour 2009 by steve mccabe on October 21, 2009

All Souls

Having now taken command of Los Angeles, and whilst allowing trade to continue as normal albeit under ein military regime, this is 2000 and some harrowing but major exceptions to the rule have decided, independent of the fully sanctioned and streets away, predictably, from where the real action was happening.

Hollywood 'n' Fry's

Hollywood 'n' Fry's

Notably, Stu and Steve (on behalf of the axemen as a partially available whole, or soul ['The choice is yours, you tithe your 10% to your local rich-ass and you're in line for the throne" struck out Pedro, his fb) buoyed by her decision to put a modicum of their eggs in one basket (as a causation equation and bearing in mind dragan and bob are initiated and primed to enter the arena at an unspecified yet predetermined time)

This first episode I call 'WHITEY'

Science is fuck-all. We each have our own Memphis. We are all Elvis

Science is fuck-all. We each have our own Memphis. We are all Elvis. Who the fuck are you? - Steve Humann, thats who!

Checked out rental cars.  Some horseless carriages yippeeing up and restless, no doubt riled up by the host with the most, the antagonist, the chip mother, the screaming, breathing Grimm brother, th senseless one they don’t talk about, thy slipped a micky finn to one of those guys, who gives a fuck who.

HOWEVER

All Souls is an equal-fate non-soul-discriminatory story, primarily but not solely based on the sole premise that the soul’s sole is imprinted indelibly on the soul of the holy fisherman, the weeping fisher, the fishing weeper, the weeper who never fishes, across the river directly from the fisher who never weeps…
Ginger the sliced ginger guy grunts as he psycles off another few slices of ginger for the solely soulless. “Otherwise it’d be for the birds!” he quips, the word ‘birds’ rhyming with the oft-used-advertising phrase ‘dis iz forda boids’!, mostly famous for accentuating the long vowel sound in the 60′s.

Day 3 – We are off to Burbank Airport to check out rental vans.  stop.

What about these guys??? the Puddle Live-to-air at Radio Volcano, sweet as, direct from another universe

Posted in 2009 happenings, Audio, Buses, cultural studies, Gigs, NZ bands, Photograsps, poetry, video by steve mccabe on August 11, 2009
the puddle, live to air, radio volcano, lyttelton, one romantic gesture

the puddle, live to air, radio volcano, lyttelton, one romantic gesture

and this one with different scenery – needs more mick though if you ask me….

The Puddle - same song, better scenery

The Puddle - better scenery in this vid... wish george the best after his stroke - oops sorry that was that other guy

This is WWIV – LSM confronts the Iron Eagle

Posted in Apocalypse, Audio, cultural studies, government, law, NZ bands, Photograsps, poetry, Posters, Uncategorized, War by steve mccabe on February 19, 2009
WWIV Song Cycle

01_Rock_Mountain

Rock Mountain

02_Push-A-Way

03  What Is Rock?

04  Back_2_The_City

05  Man-i-mal

ascent_of_man

06_I Wanna_Rock_It

07  Rock-n-Roll_Neanderthal

snake

08  Black_Snake

09  Heavy_Water

10  Iron_Eagle

Iron Eagle

This is WWIVIn 1999, Marty Sauce and the Source’s principal songwriter and G.I.C.S.N. conceptual guru Davey G approached Little Stevie McCabe about doing the soundtrack arrangements for his visionary (but alas unreleased – until now!) apocalytic concept album and rock opera, tentatively entitled “This is WWIV!”*USA Eagle

The libretto for this ethereal and ungodly masterpiece revolves around the epic journey of a young shepherd boy ‘Hombreo’  (to be played by a clean-shaven Marty Sauce) to the city after he sees a nuclear missile launch from the hills of his homeland, where he is tending his sheep.

Indian Nuke

In the still of the clear Afghani night Hombreo can see its trajectory for miles with crystal clarity, and follows it with his keen shepherds night vision [his eyes being locally referred to as so-called 'sheep seeking missiles'] to its destination, where he sees an awe-inspiring and terrible sight; a huge white-orange flash followed by a billowing mushroom-shaped pillar of smoke rising in slow motion over the horizon like a startled king cobra emerging from its basket, shimmering against the rhinestoned velvet wallhanging which is the desert sky.

This is WWIV symbols

“Red Sky at night, shepherds delight” he murmers to the assembled throng of sheep,  now huddled, shivering, at the base of his rough-hewn towelling and sackcloth candlewick bedspread.

Hombreo takes off for the city and has his shepherd-boy eyes opened clockwork-orange style, real horrorshow like, by the myriad bestial and despicable sights he sees along the way, culminating in the grand finale, which takes plays in the lair of the bald, beclawed and bewildered Iron Eagle. Afight ensues ansd the inevitable happens.

Hombreo at first tries to behead, then is bemused by, then finally befriends the metallic bird, and together they rule the land forever from 1000 feet below the scorched earth at ground level.

This Is WWIV - Poster

* Other names shortlisted: “Apocalypse Soon”; “Nagasaki 2000″; “Boom!!!”; “Miss Afghanistan”; “Where Eagles Iron”; “It Aint Half Hot, Omam!”

Post: Talc Betel Vices Emit

You’re in the army, now, lad!

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Vosburgh on AXEMEN

Vosburgh playing Shustak's Segovia 12-string 05/01/09

Vosburgh playing Shustak's Segovia 12-string 05/01/09

At the recent MONSTER GIG at Christchurch’s glamorous crumbling Media Club, Bill Vosburgh handed Kawowski a single A4 sheet with a few paragraphs written on it all in capitals, relating to his earliest recollections of THE AXEMEN days in Christchurch (1983-1987).

Phosby Still, with 'tash

Phosby Still, with tash - Dec 2008

Luckily he stuck around and performed an incendiary blues rock set that night, as well as jamming with Steve, Stu & Helm at 4am New Year’s Day out at South Brighton, and also playing a few songs on various acoustic guitars on subsequent visits to Kawowski’s seaside hideaway.

Vosburgh's perfectly spelled memories all in caps

Vosburgh's perfectly spelled memories all in caps

I REMEMBER WATCHING THE AXEMEN PLAY AT THE GLADSTONE AND THE FIRST 45 MINS CONSISTED OF STEVE FIDDLING AD INFINITUM WITH HIS ‘PAUL BUNYAN MACHINE’. AN ENTHUSIASTIC AMATEUR ELECTRICIAN, STEVE HAD SOMEHOW ATTACHED A FUZZ-BOX AND IT TOOK HIM THAT LONG TO FIX IT WHILE BOB AND STU MANFULLY IMPROVISED IN THE BACKGROUND.

AFTER A WHILE, THEY TRANSCENDED THE COMICAL AND THE PIECE BECAME A SURREAL EPISODE OF PERFORMANCE ART.

**********************************

AS I RECALL, THE AXEMEN WERE INCREDIBLY PROLIFIC, AND THEIR RECORDINGS, WHICH WERE PRIMITIVE TECHNICALLY IN THE EARLY STAGES, CAME THICK AND FAST. THEY GOT SOME LIMITED SUPPORT FROM RADIO U.

STU KAWOWSKI WAS AND IS A MARKETING GENIUS AND PRODUCED NOT JUST T-SHIRTS, BUT TROUSERS, STICKERS ETC, AND PRODUCED A MURAL THAT STOOD PROUDLY IN CHRISTCHURCH FOR OVER 10 YEARS, AS WELL AS MANY OTHERS THAT DIDN’T LAST SO LONG.

ALL IN ALL I WOULD HAVE TO SAY THAT THE AXEMEN ARE ONE OF THE LOOPIEST AND MOST ORIGINAL BANDS I’VE EVER SEEN AND I’M GLAD THEY’RE BACK ON THE ROAD.

A NOTE ABOUT STEVE’S COFFEE WINE: STEVE MADE THIS COFFEE WINE AND THEN DISTILLED IT – STRANGEST ALCOHOL I EVER TRIED. IT WAS MORE LIKE A BARB, AND I RECALL WALKING ACROSS THE SQUARE AFTER A COUPLE OF SHOTS AND HAVING TUNNEL VISION!

-Bill Vosburgh Dec 2008

The missing years

Posted in blather, poetry, War by steve mccabe on October 31, 2008

dsc04770aWhen Bob left Christchurch to join Stu in Auckland in the late 80′s (by this time Stu was starting to fall apart) Steve decided he would join the french foreign legion. Being a long time advocate of gun proliferation and a big fan of french food, it seemed a good idea at the time.

The escargot, the triple-cream deserts, the frogs legs, garlic bread and fine wine, all this and guns as well, it seemed a dream come true.

Initially it was. Steve laughed off the “there’s no AK-47s in foxholes” posters as he wolfed down the crepes, croissants and voule-a-vents that were liberally sprinkled around the recruiting office under the omnipresent tricoleuer flag.

re are no AK47s in Foxholes

There are no AK47s in Foxholes!

Steve’s buddy Screamin’ k Hawkins begged him not to go, singing a (sadly, unrecorded) version of “Billy, don’t be a hero” with a chillingly brilliant segue into “Please Mister, Please! (Don’t play B-17)” and a reprise of “The nite Chicago died” thrown in at the end [I can still hear the plaintive "...and there was no sound at a-a-a-all... but the clock upon the wall!" <tick> <tick> <tick> <tick>]

Screamin' K. Hawkins - Photo by Stu (from The Kenny Everett Years)

Screamin' K. Hawkins - Photo by Stu (from "The Kenny Everett Years")

Damn Don’t Ask Don’t Tell!
Damn the Statute of Lovingness!
Damn the Statue of Liberty, it stands for nothing!
Damn the Torpedoes!
Damn, Damn, Damn!

Brushing off the nay-saying of his nay-sayer friends, {and the neigh-saying of his horse friends}, McCabe glibly signed up for the standard 5-year service agreement with the foreign legion. Fortunately, being fluent in french he was able to put a tick in the “no,thanks” box saying “I agree to lick the butt of the current prime minister of France, on demand, and in perpetuity, as requested, and possibly {but not necessarily} in public”.

post: A Bit Cell Sec Em Vet Ti

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