Just out of embargo : Bott 13 – Came a Bott Friday – installment 1

bott13Te ‘Came a Bott Friday’ album was released sometime in 1987 and is also sometimes referenced as Bott 13 … te pota tiritina… enjoy!

1a Wake Of A Sinner

1b I Am The Seed

1c Yours Severely

1e Beats Under The Rocks S

1f Zion Steamroller S

2a Violence & Half-Uncles S

2b Too Much Beer–Too Little Sleep S

2c Dick’s Riff

2d Happy Ever After

2e Sondheim’s Serenade

2f The Devil Went Down To Woodstock S

 

 

 

 

 

 

 

AXEMEN “Three Virgins” sure to rise again…

Like a phoenix, it’s flaming wings rendering liquefacted silt into weirdly shaped shiny psychedelic ceramic sculptures as it rises from the quake-decimated ruins of Christchurch’s State Trinity Centre, the penultimate Axemen tome “Three Virgins, Three Versions, Three Visions”  (commonly referred to in hushed tones as simply “Three Virgins“), well, more accurately, the four fragile lacquers of which are currently and patiently awaiting their turn at R.T.I. USA. Soon those lovingly engraved mothers will be slammed into steaming 180 gram piles of black vinyl, and slipped into exact replicas of the intricately elaborate 4-colour gatefold sleeve, the cost of said practically bringing Flying Nun Records to it’s knees back in the Christchurch of 1986.

The 22/2/11 quake-decimated ruins of Christchurch’s State Trinity Centre.

 

Kawowski’s vain effort to bake the original 7″ masters in a food-dehydrator, and transfer digitally proved unacceptable to his high standards of aural sensitivity. With the upwards nodding approval of the other 2/3 of the legendary flat-city triad, Steve ‘n Bob, together with the blessing of the sage Siltbreeze label boss T. J. Lax, Germany’s and possibly the world’s pre-eminate ‘needle drop’ exponent Thomas Hartlage of SHADOKS™ was contracted to place his own virgin pressing of the original 1986 pressing onto his unspeakably expensive transcription system, the result being a beautifully crafted replica with all aspects and nuances of the tricky trio’s debut vinyl of PQ (pre-quake) ChCh yesteryear. Not sufficiently content with this scintillating facsimile, the 24bit WAVs were broadbanded south to a dijkside upstairs warehouse near Amsterdam, where the legendary FIR International wove his mastering magic upon the 22 tracks, and soon after Mark at Prairie Cat Mastering in Illinois had manifested the four sides of the 88 minute set in shiny, shiny lacquer.

An announcement will be made shortly regarding worldwide availability of these waxy widgets. Keep watching here, and AXEMEN on Facebook.

Stop Press: In a generous 11th hour gesture, Shadoks & Fir International donated 60% of the mastering costs to the Christchurch Earthquake Appeal. In fact the whole exercise of re-releasing Three Virgins is all about the music, as the small 2nd edition pressing run will only produce 600 copies, and not return much of a profit to Siltbreeze’s hungry shareholders. The Axemen are very cognizant of this fact and super-appreciative of everyone’s efforts and generosity all round.

The doctor’s on Speed Dial

The doctor’s on Speed Dial

Dr. Martin Cooper
Dr. Martin Cooper, inventor of the cellphone

a song by steve mccabe

the doctors on speed dial
i’m making amends for
all the things i did to you

i may pretend to be all hard nosed but sometimes what can you do

the movies come out
its all comin out
has a persil shine

hungry enzymes and hungry hippos
they’ll both eat you alive

Times New Viking/Axemen, Tour Single: No. 1 Top 7″ Tour Single: House List NYC

http://houselist.bowerypresents.com/2009/12/it’s-the-end-of-the-year-as-we-know-it/

The House List

2009, Bitches!

As 2009 comes to a close, The House List’s writers and photographers (and editor) take a look back at the year that was. Check back tomorrow for our year-end photo gallery.

My Top Five 7″ Tour Singles

I’ve always loved that for the price of a drink, bands sometimes go the extra distance for their tour and press 7″ vinyl that you really can’t get anywhere else but at the merch table.

1. Times New Viking/Axemen, Tour Single
I love Times New Viking’s no-fi melodic messiness, and they save the great experimental stuff for their B-sides. I got this at their Mercury Lounge show. That it was a split with New Zealand legends the Axemen was even better. Only later did I find out each band covered the other’s songs and they hand-colored every copy! It’s that combination of paying homage to this influential band and introducing people through their reinterpretations that makes this an easy No. 1.

2. Jeff Novak, “Home Sweet Home” Single
I recognized Stephen Braren of Cheap Time behind the table after the Jay Reatard show at Music Hall of Williamsburg, and I got Jeff Novak’s long sold-out single from Reatard’s Shattered Records. I actually ended up contacting Novak after this and talked with him for my own blog.

3. Black Dice, “Chocolate Cherry” Tour Single
Black Dice have just a handful of singles from quite a few years ago, so when I saw them at The Bowery Ballroom, I was just looking out of habit. But this unlabeled single ended up being from Catsup Plate, which put out the insane Animal Collective LP box set this year. Both unreleased tracks were a departure—almost funk and with recognizable vocal samples! Truly weird.

4. Make a Mess Records, “Brilliant Colors” Single
I went to see Nodzzz and Wavves at the Underground Lounge on the Upper West Side. I managed to talk to Eric Butterworth from Nodzzz, who had just pressed a single on his label, Make a Mess Records. This ended up being one of my favorites of the year. Simple, stripped-down female-fronted No Wave punk pop.

5. The Balkans, C++ Tour Single
I caught the Balkans at a new space in Brooklyn called Little Field. Woody Shortridge had pressed a single-sided 7″ at home, and I had to see it for myself. He pours them in his apartment and you get a really crazy-looking handmade single with the lowest of low-fi sound. And it helps that the track is great too. —Jason Dean, writer

“BEAT IT” BOYS Live (1983) (K WoW Loud Mix)

“Beat It” (Jackson M.) (K Wow Loud mix)

AXEMEN recorded live on 4-track at the Star & Garter, Christchurch, New Zealand

Guy Fawkes Day 5/11/83 by Hamish Kilgour (features Steve, Bob, Mick & Stu). 06′29 dur.

Beat It (K Wow Loud mix)

BEAT IT BOYS



[1st Verse]
They Told Him Don’t You Ever Come Around Here
Don’t Wanna See Your Face, You Better Disappear
The Fire’s In Their Eyes And Their Words Are Really Clear
So Beat It, Just Beat It

[2nd Verse]
You Better Run, You Better Do What You Can
Don’t Wanna See No Blood, Don’t Be A Macho Man
You Wanna Be Tough, Better Do What You Can
So Beat It, But You Wanna Be Bad

[Chorus]
Just Beat It, Beat It, Beat It, Beat It
No One Wants To Be Defeated
Show them How Funky Strong Is Your Fight
It Doesn’t Matter Who’s Wrong Or Right
Just Beat It, Beat It
Just Beat It, Beat It
Just Beat It, Beat It
Just Beat It, Beat It

[3rd Verse]
They’re Out To Get You, Better Leave While You Can
Don’t Wanna Be A Boy, You Wanna Be A Man
You Wanna Stay Alive, Better Do What You Can
So Beat It, Just Beat It

[4th Verse]
You Have To Show Them That You’re Really Not Scared
You’re Playin’ With Your Life, This Ain’t No Truth Or Dare
They’ll Kick You, Then They Beat You,
Then They’ll Tell You It’s Fair
So Beat It, But You Wanna Be Bad

[Chorus]
Just Beat It, Beat It, Beat It, Beat It
No One Wants To Be Defeated
Showin’ How Funky Strong Is Your Fight
It Doesn’t Matter Who’s Wrong Or Right

[Chorus]
Just Beat It, Beat It, Beat It, Beat It
No One Wants To Be Defeated
Showin’ How Funky Strong Is Your Fight
It Doesn’t Matter Who’s Wrong Or Right
Just Beat It, Beat It, Beat It, Beat It, Beat It

[Chorus]
Beat It, Beat It, Beat It, Beat It
No One Wants To Be Defeated
Showin’ How Funky Strong Is Your Fight
It Doesn’t Matter Who’s Wrong Or Right

[Chorus]
Just Beat It, Beat It, Beat It, Beat It
No One Wants To Be Defeated
Showin’ How Funky Strong Is Your Fight
It Doesn’t Matter Who’s Wrong Or Who’s Right

[Chorus]
Just Beat It, Beat It, Beat It, Beat It
No One Wants To Be Defeated
Showin’ How Funky Strong Is Your Fight
It Doesn’t Matter Who’s Wrong Or Right

[Chorus]
Just Beat It, Beat It, Beat It, Beat It
No One Wants To Be Defeated
Showin’ How Funky Strong Is Your Fight
It Doesn’t Matter Who’s Wrong Or Right
Just Beat It, Beat It
Beat It, Beat It, Beat It

Vosburgh on AXEMEN

Vosburgh playing Shustak's Segovia 12-string 05/01/09
Vosburgh playing Shustak's Segovia 12-string 05/01/09

At the recent MONSTER GIG at Christchurch’s glamorous crumbling Media Club, Bill Vosburgh handed Kawowski a single A4 sheet with a few paragraphs written on it all in capitals, relating to his earliest recollections of THE AXEMEN days in Christchurch (1983-1987).

Phosby Still, with 'tash
Phosby Still, with tash - Dec 2008

Luckily he stuck around and performed an incendiary blues rock set that night, as well as jamming with Steve, Stu & Helm at 4am New Year’s Day out at South Brighton, and also playing a few songs on various acoustic guitars on subsequent visits to Kawowski’s seaside hideaway.

Vosburgh's perfectly spelled memories all in caps
Vosburgh's perfectly spelled memories all in caps

I REMEMBER WATCHING THE AXEMEN PLAY AT THE GLADSTONE AND THE FIRST 45 MINS CONSISTED OF STEVE FIDDLING AD INFINITUM WITH HIS ‘PAUL BUNYAN MACHINE’. AN ENTHUSIASTIC AMATEUR ELECTRICIAN, STEVE HAD SOMEHOW ATTACHED A FUZZ-BOX AND IT TOOK HIM THAT LONG TO FIX IT WHILE BOB AND STU MANFULLY IMPROVISED IN THE BACKGROUND.

AFTER A WHILE, THEY TRANSCENDED THE COMICAL AND THE PIECE BECAME A SURREAL EPISODE OF PERFORMANCE ART.

**********************************

AS I RECALL, THE AXEMEN WERE INCREDIBLY PROLIFIC, AND THEIR RECORDINGS, WHICH WERE PRIMITIVE TECHNICALLY IN THE EARLY STAGES, CAME THICK AND FAST. THEY GOT SOME LIMITED SUPPORT FROM RADIO U.

STU KAWOWSKI WAS AND IS A MARKETING GENIUS AND PRODUCED NOT JUST T-SHIRTS, BUT TROUSERS, STICKERS ETC, AND PRODUCED A MURAL THAT STOOD PROUDLY IN CHRISTCHURCH FOR OVER 10 YEARS, AS WELL AS MANY OTHERS THAT DIDN’T LAST SO LONG.

ALL IN ALL I WOULD HAVE TO SAY THAT THE AXEMEN ARE ONE OF THE LOOPIEST AND MOST ORIGINAL BANDS I’VE EVER SEEN AND I’M GLAD THEY’RE BACK ON THE ROAD.

A NOTE ABOUT STEVE’S COFFEE WINE: STEVE MADE THIS COFFEE WINE AND THEN DISTILLED IT – STRANGEST ALCOHOL I EVER TRIED. IT WAS MORE LIKE A BARB, AND I RECALL WALKING ACROSS THE SQUARE AFTER A COUPLE OF SHOTS AND HAVING TUNNEL VISION!

-Bill Vosburgh Dec 2008

Axemen – Three Virgins, Three Versions, Three Visions (1986) on lost-in-tyme blog

PLEASE NOTE: Read comments below

for an update on the lost in tyme AXEMEN article

and news of their removal of the “Three Virgins” download.

The administrator RainyDaySponge is a thoroughly cool guy

who has a very interesting site (full of muchas oscuridades)

that is always getting better.

Check it out.


The lost in tyme site specialises in offering unavailable music to appreciative fans.

picture-17

Here’s the manifesto:

Site Info & Archives

This is Lost-In-Tyme’s new site.

As it is a site and not just a blog, you can now enjoy our forum discussions, read lengthy articles about Lost In Tyme (but not forgotten) bands and artists, and of course visit our blog for a trip back in Time with some of the best (and rarest) music you can listen.

Once again we want to make clear that we post only records that are out of print and you can’t buy them at the record stores (physical or digital). The only way to find some of them is to pay a good deal of money for a used copy, and several you can’t find them at all. In the 21 months of Lost In Tyme first circle we received over 50 e-mails or comments from the artists themselves, saying thanks for posting their music. Someday we will post these comments (at least what we could rescued – because several were deleted along with Lost In Tyme).

So, if an artist/band don’t want his/her music posted here, or a label has re-released a record (and we’re not aware of this) or if someone of our visitors knows that something we’ve posted is still in print (and provide the link to prove it) just send an e-mail or make a comment about it. We will remove the link and we will replace it with the link pointing to the site where one can buy the record or the artist’s site. It’s that simple. We don’t want to harm anybody, especially the artists we love.

Remember that this site was made with just this in mind: the gathering of music lovers, the exchange of any knowledge we may have about this kind of music and the discovering of Lost In Tyme music.

We are waiting for your comments, suggestions etc. about this site, in the Guestbook page. You are very welcome to contribute if you like and of course to participate in Lost In Tyme’s forum, where we hope that out friends will find interesting threads.

Well it so happens they have been offering a download of Three Virgins, but they’ve been asked to cease and desist. According to their manifesto above that shouldn’t be a problem.

Anyway, here is their somewhat charming post on lost in tyme:

Axemen – Three Virgins, Three Versions, Three Visions (1986)


three-virgins

Early Swell Maps blues sessions? The Fall playing Kinks’ songs but they don’t know the lyrics?
There’s no other album in the entire New Zealand music so chaotic, so brilliantly cacophonous and so totally denying any label, music style or genre, like this double album from the Axemen, released by Flying Nun, in this great label’s absolute peak, in 1986.

49649Flying Nun was so great because, for several years, would release music by any, and I mean any, band that Roger ShepherdChris Knox andDoug Hood thought that had something interesting, no matter what musical style it had. This concept produced some of the best music of the 80s, not only because the three mentioned above have an excellent taste, but also because, 20 years before that period, there was something in New Zealand’s water, that caused the appearance of a continuous series of very talented artists – the more obscure of them can be heard in the 3 volumes of Rarer  Than Radium compilations herehere and here.

But even for Flying Nun “Three Virgins…” was extreme and something that couldn’t get under the “Flying Nun sound” no matter how we expand the term – and here is the proof: There’s not a track from the Axemen in any of the several compilations that the label released though the years. Even in the non-exclusively Flying Nun based Rarer Than Radium series, I couldn’t fit them in.

So what is this all about?
Three Virgins, Three Versions, Three Visions is a double album, made by three 20-years old Kiwis (Bob Brannigan, Steve McCabe, Stu Kawowski) with the help of their friends. In the 22 tracks of this album they managed to include every musical style under the sun – from Mark Stewart’s mumblings to good-time tunes, from blues played with “big, huge pipe organ” to Krishna chants and from post-punk saxophone-based tracks to muddy guitar noise. The recording and production is totally (and deliberately) DIY and although the mixing was made in two different studios, the singer’s voice often seems to come from a different room that the rest of the band.

I’d say that the Axemen did a Kinks-style, ironic comment on music and life, passed it through Frank Zappa & Mothers lunacy and they paint it with the punk/DIY colours of the early 80s. Sharp, brilliant and full of references songs like “Chant Number Nine”, “The Yeasty Mayor” “Talk With God”, the full-of-ideas playing and the nerve to put out a 2LP set as their first release, prove once again that the hormones of youth are magical things.

26473

If you search for the Axemen in the web, you’d be surprised from the many videos of them you’ll find – several of them in Stu Kawowski’s Axemen page on myspace (and his YouTube site -ed)

Here is the first part of Axemen’s story, as written by Steve McCabe (you can find the rest here – along with many releases (as a band or solo from the members) – I don’t know if these have been ever actually released or are simply existing in Steve’s archives.

Axemen say– “Yes indeed, all of these albums are available here on CD

A Brief History of The Axemen – The Early Years.
In The Beginning (by Steve McCabe)

The Axemen began life as a seething mass of algae in a cess-pool located at the back of a disused factory somewhere in North Dunedin, New Zealand.

The exact location of the cess-pool has unfortunately been lost to the ravages of time, but the factory still stands – a disused, vacant shell with little hope of being restored to its former majesty.

Following a sudden meteor storm in 1983, the Axemen rapidly evolved, developed fully functional hands and ears (where before there had only been useless stumps) and metamorphosed rapidly into one of the most radical, chaotic and inspired rock bands of all time.

The exact details are hazy now as I pen this tome from my Hotel room in Auckland, New Zealand, June 1997, but as I recall…

23303

Bob [Brannigan] and myself were happily punting along the River Avon in Christchurch, New Zealand in January, 1983 – I distinctly remember the occasion as Bob was, for once, holding the punt-oar. The day was dreary – grey, overcast and drizzling with a fine mist which settled gently before condensing and trickling off the seven plastic beer flagons placed [for ballast] in the centre of the bright red punt.

From which direction the football came I do not directly recall, but come it did – striking Bob squarely on the forehead and causing him to swagger, try and get his balance back, then topple over backwards (I often wonder how much worse it could have been had he been standing at the time). Next thing you know, who should pop around the corner hollering “Can I have my ball back, please?” but Mr Stu Kawowski. I had not encountered this man before, but I can still vividly recall the moment; the cheeky grin, the Joe 90 “milk bottle” glasses (later to be replaced with the trademark John Lennon style spectacles), the wind rustling through the shaggy tresses of his russet-red hair.

Mopping the beads of sweat from his furrowed brow, Bob lurched up, hoarsely shrieked “I’ll give you your ****ing ball back allright and fair clocked him one with the aforementioned orb. The tense situation now somewhat diffused, Kawowski piped up, “Gizza ride in your punt, mate!”. I can’t quite recall whether it was Bob or myself who replied “Step aboard, Matey!” but next thing you know, there we were, the three of us, in the bright red punt, cruising at a rate of knots that particular punt had not previously thought itself capable of.

There was something about the rhythm of Kawowski’s deft strokes wit the punt-oar; something vital and overwhelming about the way he pushed that punt to its very limits. There was an unspoken, unfathomable feeling that this was perfection, this was bliss, this was the way of the future – Brannigan, Kawowski & McCabe – an untouchable, dynamic unit not to be messed with.

After formally voicing what we all knew we were feeling, that we should immediately form the most invincible and solid rock combo ever known to man, the pact was sealed with a flagon of beer apiece. The day ended with a solemn blood oath and a resolution that we would have our first rehearsal the very next day, but in order to maximise our potential, to ‘potentise the blend’, a pilgimage would be required to the famous “Seedy Dive” boondocks area of Dunedin. This area was well-known in the early eighties to have the highest ratio of musicians and artists to the square mile of any region in the country. Of course, the remnants of the thriving mime and clown scene from the seventies still lived in the area, but we had the feeling that in the searing Dunedin summer of ’83, the Dive was going to be the place to be. That year, Dunedin had the longest, hottest heatwave in recorded history.

A Pasty faced Geezer responds to “Bob Brannigan Remembers Why He Got Into Rock’n’Roll”

What the hell happened here?

Maybe there was a time before the Axemen existed, before there was a Steve, a Bob and a (holy) Stu but surely this is accepted as almost an irrelevance[1] as what was to come afterwards rendered any previous existence irrelevant. Of course the discovery of other life forms in future years such as the Dragans of Wellington, the Faigans and fabled Hamiltons of Christchurch spell out the facts that the axemen were far from an isolated case in being a brilliant group of impoverished musicians living in the cheapest possible flats in a moderately affluent city by choice (‘yeayarr, we are the real deal muddah, some of us workin’ some of us out on da street, some jus bein’ the niggahs we are and livin our life widdout da man holdin us down!Shee-it!)

A Time, a place for us which ultimately deserves its own history…

The effective axemen particle synthesis principle

The effective axemen particle synthesis principle

…not to mention the recent discovery of the Anti-Axemen Universe

To avoid confusion future references to the anti-Axemen in this article will be referred to using the following terminology:

  • Antithetic elements shall be referred to using scientific notation – eg The antithetic AXEMEN shall be referred to as the AXEMEN’ OR the <~AXEMEN> OR the !AXEMEN OR the (AXEMEN) depending on context… MAKE IT SO!

[1] The Big Bang

Hyperviscosity: coffee wine’s contribution to subatomic particle theory

Were it not for coffee wine’s emergence as an almost perfectly adapted medium for usage in the resonance containers used in large scale bubble chamber technology which eventually extrapolated out to the development of the Large Hadron Collider, the story of the Axemen’s role in Bubble Chamber technology could have remained relegated as a footnote to the history of nuclear / subatomic particles much like the myriad of other bands and their offspring, The Pi Muons, The Tau Neutrinos, the Gluons and rarely discussed Gravitons (also known on releases by Onset/Offset records as Ritchie Venus and the Gravitons), etc.

Coffee wine’s emergence as the only readily distributable commercially manufactured hyperviscose medium whose semi-opaque nature renders it an biometrically perfect medium for projecting the trails of subatomic particles onto its brief stable condition as a ‘proud but true’ medium of record for the ground breaking and astonishing (later Nobel award winning) strobe photography was at the heart of its importance as an analysis tool (‘which nobody can deny! which nobody can deny!’)but it was nonetheless a fateful accident which led to its later fame and the growth of its use as what Einstein once described as “a microscopic window on the extremely small and evolving”. Einstein later regretted the statement as “my greatest mistake” saying in his later years “God is neither small nor evolving! Do you hear me ? Nein! Nein!

The emergence of the Axemen’s contribution (the murky fluid they imbibed and worshipped having long since been legendarily epitomised as having emerged as a superfine substance arising naturally as they were considered a superfine band, and this inner perfection having now been implicitly accepted as a fait accompli in an almost implied and demonstratively actual case of ultra-symmetry, ie it could not have evolved otherwise given the circumstances of its creation as they were, being a que sera, sera situation in which it would be hugely unlikely for the situation to be othewise to what it can demonstrably be proven to be) to this eminently demonstrable ‘proof of the pudding’ .

A muppet in any kind of disguise after all still has the hand of its very maker up its butt. As Einstein reflected in later years, “Mein Gott, all these years all these years I haff been troubled and it was this holy hand all along up my freaking ass! – sheesh i respect the ‘always with you’ doctrine but geeze a guy has to take a dump once in a while – Oy!”

Bubble Chamber - Note crates of coffee wine, left
Bubble Chamber, CERN, circa 1949 - Note crates of coffee wine, left; Picture:A bunch of geezers hang out round the Super-Geeky Atomic hyperion-division supermagnetic field collider (SGAHDSmFC)

this posting: Blame Testicle Civet