THE AXEMEN | Sac Tap Nut Jam LP | SPACECASE

Reprinted from: http://www.spacecaserecords.com/axemen-sac-tap-nut-jam

THE AXEMEN | Sac Tap Nut Jam LP

Spacecase Records
US$14.00*

Sac Tap Nut Jam
The Axemen – SAC TAP NUT JAM, Spacecase SCR006, 2013

Spacecase Records is pleased to release Sac Tap Nut Jam—the first new Axemen full length in twenty-one years.
GO BUY SAC TAP NUT JAM NOW (direct from Spacecase)!
Originally from Christchurch, New Zealand, The Axemen formed in 1983. Shortly afterwards the band solidified around the core of Steve McCabe, Stu Kawowski and Bob Brannigan. (More than two dozen musicians have played in the Axemen, notably Johnny Segovia, George D. Henderson, Mick Elborado and Peter Gutteridge). Initial Axemen releases came out on Steve McCabe’s cassette label, Sleek Bott. The Axemen signed to Flying Nun in the mid ’80s, releasing the label’s first double album, Three Virgins (1986). Like The Swell Maps, The Axemen sound is hard to define—Three Virgins runs the gamut, from country to punk to avant-garde. The Axemen released their second Flying Nun record Derry Legend in 1987. The band put out further cassettes on Sleek Bott, notably Scary (Part III) and Three Rooms (An Elton John Tribute Album), before going on hiatus in the early ’90s.

           In 2009, The Axemen caught their second wind thanks to Tom Lax at Siltbreeze who reissued the band’s cassette-only releases Big Cheap Motel and Scary (Part III). The Axemen toured the United States with Times New Viking the same year. In 2011 The Axemen visited Australia and put out a tour 7″— a label split between McCabe’s Sleek Bott and the late Brendon Annesley’s Negative Guest List Records. Siltbreeze came through again that year, reissuing Three Virgins on vinyl (original pressings were going for well over fifty dollars).

Sac Tap Nut Jam finds Steve McCabe and Stu Kawowski reuniting with Dragan Stojanovic (who played on 1987’s Derry Legend)rounding out the lineup is William Daymond. Recorded in early 2013 in Wellington and Taita, Lower Hutt, Sac Tap Nut Jam—like all Axemen releases—defies easy categorization. There’s The Beatles/Dylan pop of Stojanovic’s “These Days”; McCabe’s post punk-influenced “Doctor’s on Speed Dial”; Steve McCabe’s inimitable voice and stream-of-consciousness lyric writing comes to the forefront on “Google That Girl”.

500 vinyl copies of Sac Tap Nut Jam were pressed up—400 on black, 100 on gold. The Axemen are currently planning a tour of New Zealand in support of Sac Tap Nut Jam.

Sac Tap Nut Jam is the sixth release from Camarillo, California-based Spacecase Records.


If ordering from outside the United States please email orders@spacecaserecords.com before submitting your order for accurate shipping rates.

* + shipping

For Lee Jackson in Space

For Lee Jackson in Space

by For Lee Jackson in Space

  • Immediate download of 94-track album in your choice of MP3 320, FLAC, or just about any other format you could possibly desire.

    Buy Now  $30 USD  or more

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about

This tribute album came together in love and honor of Lee Jackson, writer, music fan, dear friend, who passed in late March 2012 after a struggle with ALS, commonly known as Lou Gehrig’s disease. This collection of songs, nearly all of which are new or previously unreleased, comes from the many bands and musicians who Lee not only covered and celebrated with such passion, but also in many cases befriended over many years of correspondence, concert and festival attendance and more. The album’s liner notes contain full information about each song as well as thoughts from Lee himself about the contributing artists, taken from his writing work. All profits will go to the Texas chapter of the ALS Association; web.alsa.org/DFW2012 has more information about their continuing work. Please feel free to join our Facebook discussion group at www.facebook.com/groups/323110634410498/ if you’d like to learn more about the remarkable man who we all dearly miss; there is also a direct link to this album in Facebook itself at www.facebook.com/ForLeeJacksonInSpace

credits

released 04 June 2012
Compiled by Mats Gustafsson, Travis Johnson and Ned Raggett — our endless thanks to all participating bands and performers!

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Done and Dusted – Dusted Magazine review of 3 Virgins re-release

Reprinted from: http://dustedmagazine.com/reviews/6567

Normally, when people use the phrase ‘a musician’s musician’, it’s meant to describe some Les Claypool nightmare whose dexterity and technical skill can only be properly appreciated by people who have also dedicated themselves to a life of fretless guitars and sweep arpeggios. That being said: When New Zealand’s Axemen want to be, they’re musicians’ musicians. It takes some effort to crack the self-serving exterior of their approach (getting drunk, recording off-the-cuff songs with whoever was hanging around, and releasing as much of it as humanly possible) but, as anyone who’s ever tried this approach themselves can attest, it’s completely intoxicating as long as you don’t muck it up by throwing in any pretensions of sophistication. By making their methods obvious and leaving very little to the imagination, Axemen have created a bunch of music that perfectly encapsulates the feeling of fucking around creatively with your friends.

Three Virgins is the final release in a series of terrific Axemen reissues Siltbreeze has put together, and by now it’s pretty clear that these records, pressed to wax in 1985, were a relic of their time and place. The idea of starting a non-terrible band with the expressed purpose of protesting a sexist milk advertisement has been left by the wayside, to say the least. Their willingness to experiment using the rock and roll song as a launchpad, but with few clear reference points, has gone almost unmatched in the DIY community since these albums were released the first time around. Granted, their apparent creative process has lived on in a less slapdash form, but the fact that Axemen were playing and releasing music with this mentality when recording your garage band could still be considered ‘hard work’ is admirable, and near-singlehandedly makes these reissues worthwhile.

Methods aside, Axemen’s songs tend to do more than scrape by on the band’s charisma, falling somewhere between the droll bounce of Axemen’s countrymen Tall Dwarfs and the more stream-of-consciousness Swell Maps songs. (Emphasis on the ‘tend to’, though, if only because Three Virgins is 88 minutes long and is therefore destined to include some downtime, but the hilarious single-mindedness required to craft an entire double LP in the league of Three Virgins is to be commended regardless.)

While their Flying Nun contemporaries were crafting songs with relatively clear-cut roots in pop, punk and noise, Axemen were paving new routes into all three. While their results might not reach the transcendent heights of The Clean or The Verlaines, their charming lack of ambition and rickety, fuck-it mentality created something else entirely; misogynist ads and traditional song structures be damned.

By Joe Bernardi

Axemen – The Schrödingers cat of New Zealand Music?

State Trinity Centre, Christchurch, 2011In an age of uncertainty, spare a thought for those trapped in the twilight zone. The place no-one wants to be but secretly wants to be more than anything. The only place anything really happens.Call it neither here nor there, being ‘between jobs’, re-evaluating your life, changing focus, whatever the label its where you want to be.

Being neither here nor there isn’t just a fence-sitting compromise or a sign of indecisiveness, a smite on yr character, but a real fact of life for most people in most things. For the busy, toiling away to scrape up the rent then coming home to tend the kids thinking time is an unattainable luxury… for the idle rich and the idle poor it is a boring chore… in reality it is the most valuable thing that can be imagined.

I received my $2.53 APRA cheque today, after selling my house to raise enough money to comp bob and tour the US a couple of years back. CNN commandeered my song for their sports section. Bob didn’t credit me for the iconic one-note guitar bit in ‘nutsack’. He calls me a few months before saying he’s upset he thinks his girlfriend is cheating on him then proceeds to chase ass and drugs across the states using her money while she takes his kids to her dads funeral back in NZ. But thats what being edgy is about… its only a crime (sic) if its boring. And sometimes it is.

Luckily some people can rise above it and live worthwhile lives, slaves to no-one and no thing. Most can’t. Some can only dream about it. Suicide is a copout. Life is worth living if you don’t shit all over everything of true value and value everything which is true shit.

the axemen are the Schrödingers cat of New Zealand music primarily because they are in an unreachable zone, a sensory Tardis of existence packaged neatly into an extended singularity, from which all greatness would extend on observation but to do so would freeze their work in a ‘snapshot’ , a single frame of a neverending movie.

Enjoy the trailer but stay on the channel.