Playing Singles and Drinking Doubles

 

Roddy & Gabriel Fleet FM

Back in 2009, I discovered this crazy radio show that was on Fleet FM Tuesday afternoons, called ‘Playing Singles and Drinking Doubles’ —if that name wasn’t brilliant enough, their music selections were out of this world. I didn’t know these guys at that stage, (well I had met Roddy at Frisbee studios on Albert St and seen his band Supercar play a couple of times), but this radio show was such a breath of fresh air, in that it plundered a vast catalogue of often not before heard (in their own words) “Country, Honky Tonk, Bluegrass, Western Swing, & tragic songs about life.” 

After listening to ‘Playing Singles and Drinking Doubles’ whenever possible, I would download the podcasts of the shows, and sometimes save the show’s Fleet FM webpage as a PDF. I am making them available at this time, to honour the passing of our darling friend Roderick MacLellan (aka Roddy Pain) 1/10/71 – 2/2/2016. The Fleet FM website is now long gone, although there is a skeletal archive, but links to the podcasts are dead.

IMG_2471 Roddy shrine Kings Arms 1600 VIG

I met Gabriel today at Roddy’s wake, and he explained that the pair got so f**ked up on the day of the actual broadcast, it required a full recovery day afterwards, and this also resulted in them not saving any recordings themselves of the shows. So here are fifteen mostly 60 minute podcasts, some with their accompanying tracklists by way of the above mentioned PDFs. (Please note that links in the PDFs are dead, but the tracklists are good.)

Playing Singles Drinking Doubles 26

What makes these shows so special, is that the between-song banter has been severely messed with, all of the voiceovers have been rendered either chipmunk or demonic and at times the studio is either burning down with crackling fire sound effects, or under siege by a flock of squawking chickens, howling hyenas or growling doggies! But the choice of music is always top shelf.

Thanks to Roddy and Gabriel, and Fleet FM for that wonderful show, I only wish that I had saved more of them. Enjoy! —Kawowski

Playing Singles Drinking Doubles 30

Playing Singles Drinking Doubles 16 playlist

Playing Singles Drinking Doubles 16a audio (29MB)

Playing Singles Drinking Doubles 16b audio (29MB)


Playing Singles Drinking Doubles 27

Playing Singles Drinking Doubles 18 playlist

Playing Singles Drinking Doubles 18a audio (29.1MB)

Playing Singles Drinking Doubles 18b audio (29MB)


Playing Singles Drinking Doubles 27b

Playing Singles Drinking Doubles 20 playlist

Playing Singles Drinking Doubles 20a audio (29MB)

Playing Singles Drinking Doubles 20b audio (29MB)


Playing Singles Drinking Doubles 28

Playing Singles Drinking Doubles 25 playlist

Playing Singles Drinking Doubles 25a audio (29MB)

Playing Singles Drinking Doubles 25b audio (29MB)


Playing Singles Drinking Doubles 29

Playing Singles Drinking Doubles 30 playlist

Playing Singles Drinking Doubles 30a audio (29MB)

Playing Singles Drinking Doubles 30b audio (29MB)


Playing Singles Drinking Doubles 31

Playing Singles Drinking Doubles 31 playlist

Playing Singles Drinking Doubles 31a audio (29MB)

Playing Singles Drinking Doubles 31b audio (29MB)


playingsingles32 Willie Nelson & girl on motorbikes

Playing Singles Drinking Doubles 32a audio is missing, sorry!

Playing Singles Drinking Doubles 32b playlist

Playing Singles Drinking Doubles 32b audio (29MB)


Playing Singles Drinking Doubles 25

Playing Singles Drinking Doubles 47 playlist

Playing Singles Drinking Doubles 47a audio (25.4MB)

Playing Singles Drinking Doubles 47b audio (8.1MB)

 

Playing Singles Drinking Doubles logo

The OXMEN Cometh {2015, goodbye}

The Oxmen cometh

Who in their right mind would have predicted this?

In the midst of a build-up of 70’s, 80’s , 90’s and today’s collective angst, just a few individuals feel brazen enough to stand up and spit themselves out at society and stomp on the balls it represents.

Just a few is enough.
As per Facebook ‘chatter’
—————————
rock. in a forest. in the red zone.
christchurch. reborn after takeoff and crash.

cathedral crisis. portaloos everywhere,
people livin’ like they just don’t care.
Grade school grades are goin’ down like the ages
Take-off pill sales are simply outrageous
nobody does nought for fear of the aegis
sons of the silent age live in cages,
wear brass monkey caps and play rock of ages
—————————————-


Straight to Hell :: album :: SHOES THIS HIGH

reprinted from: https://www.midheaven.com/item/straight-to-hell-by-shoes-this-high-lp

STH LP Rear
STH LP Rear

While Shoes This High’s existence was a mere glint in the eye of Father Time (a year or more, tops), they made every second count, stalking the New Zealand post-punk landscape—both North and South islands—with ravenous abandon. For most fans, their legend and reputation rest solely on the strength of one highly formidable (and collectable) self-released 7-inch EP from 1981. And as anyone with ears who’s had the good fortune to come in contact with its jagged, scabrous genius can attest, the cry invariably rings out afterward: “Mein Gott, is this all there is?” In the 30-plus years since its initial release, the answer has been a most unflinching “yes.”

That is, until Siltbreeze tapped into the massive tape library of famed New Zealand underground music archivist Bob Sutton, who had in his possession a white-hot live scorcher of the group, culled from a set that went down at the infamous Billy the Club way back when. Straight to Hell showcases a band at the peak of their menacing powers.

[Deceased] Guitarist Kevin Hawkins slashes and rips strings from his ax like a mad butcher; the rhythm section of Jessica Walker and Christopher Plummer is par excellence, while the sneering, contemptuous vocals of singer S. Brent Hayward spit like poison darts above the swagger.

Expertly sequenced by Jared Phillips (Times New Viking), Straight to Hell is a most welcome and astonishingly great artifact that delivers in buckets a shivering, toxic rain you always knew had fallen.

Vinyl comes with a digital download of the complete album plus the four studio tracks from the original 1981 EP. One-time edition of 500—buy now or cry later.

MP3 samples, flac and other formats:
https://www.midheaven.com/item/straight-to-hell-by-shoes-this-high-lp

Straight To Hell – Shoes This High LP out Jan 2014

Reprinted from: http://www.midheaven.com/item/straight-to-hell-by-shoes-this-high-lp

Ghost Ranch X - Fats White
Ghost Ranch X – Fats White; cover art for ‘Straight to Hell’

While Shoes This High’s existence was a mere glint in the eye of Father Time (a year or more, tops), they made every second count, stalking the New Zealand post-punk landscape—both North and South islands—with ravenous abandon.

For most fans, their legend and reputation rest solely on the strength of one highly formidable (and collectable) self-released 7-inch EP from 1981. And as anyone with ears who’s had the good fortune to come in contact with its jagged, scabrous genius can attest, the cry invariably rings out afterward: “Mein Gott, is this all there is?” In the 30-plus years since its initial release, the answer has been a most unflinching “yes.”

That is, until Siltbreeze tapped into the massive tape library of famed New Zealand underground music archivist Bob Sutton, who had in his possession a white-hot live scorcher of the group, culled from a set that went down at the infamous Billy the Club way back when. Straight to Hell showcases a band at the peak of their menacing powers.

Guitarist Kevin Hawkins slashes and rips strings from his ax like a mad butcher; the rhythm section of Jessica Walker and Christopher Plummer is par excellence, while the sneering, contemptuous vocals of singer S. Brent Hayward spit like poison darts above the swagger. Expertly sequenced by Jared Phillips (Times New Viking), Straight to Hell is a most welcome and astonishingly great artifact that delivers in buckets a shivering, toxic rain you always knew had fallen. Vinyl comes with a digital download of the complete album plus the four studio tracks from the original 1981 EP. One-time edition of 500—buy now or cry later.

Shoes This High posters – from the awesome collection of Bob Sutton

Axemen’s ‘3 Virgins’ Double LP NOW AVAILABLE

(re-printed courtesy of siltblog: Axemen’s ‘3 Virgins’ Double LP NOW AVAILABLE)

FINALLY! After a couple of years in the RE-making, the Axemen’s legendary dbl lp ‘3 Virgins, 3 Virgins, 3 Visions’ (hereafter known simply as 3V’s) is available for order. Originally seeing the light of day on the Flying Nun label in 1985, 3V’s is a broad canvas of sound, seemingly channeling other likeminded cornerstones of fringe rumble such as ‘Trout Mask Replica’, ‘Exile On Main Stree’t & ‘Tago Mago’. Just like last time (remember?) this is a limited edition run of 600 & housed is a stunning full color gatefold sleeve. Prices are as follows;
20$ppd-US
24$ppd-Canada
30$ppd-Elsewhere

*LIMITED TIME OFFER*

Add to your order both previous Axemen titles; ‘Big Cheap Motel’ lp + Scary,Part III double lp for only 15$ more! No extra shipping cost either!That’s 3 more lp’s! What a bargain!
(Just make sure to mention when ordering).

Paypal to; sltrx@pil.net

*AND WHILE YOUR HERE*

Check out this AMAZING 3 Virgins promo film shot back in the day by Stu Kawowski & Lawrence Lens (Nux Vomica, Portage mastermind);

THE FAMOUS ELSEWHERE QUESTIONNAIRE: George D. Henderson of the Puddle

Reprinted from http://www.elsewhere.co.nz/absoluteelsewhere/3832/the-famous-elsewhere-questionnaire-george-d-henderson-of-the-puddle/

THE FAMOUS ELSEWHERE QUESTIONNAIRE: George D. Henderson of the Puddle

THE FAMOUS ELSEWHERE QUESTIONNAIRE: George D. Henderson of the PuddleGeorge D. Henderson founded Dunedin’s psych-pop band the Puddle in 1983/84 and over the following decade the group recorded an EP, an album and a single for Flying Nun, all of which are curently out of print.

However “a Lazarus-like comeback over the past five years” (as the press release says) has seen three new albums in the past few years, their ’09 The Shakespeare Monkey being hailed as one of the best of the year at Elsewhere. (see here).

The latest album Playboys in the Bush (out now CD and vinyl LP) was equally well received here.

The current touring line up of The Puddle (see dates below) features long-time fan Gavin Shaw on bass, multi-instrumentalist Allan Starrett on keyboards and viola, and George’s brother (and occasional 1984/85 Puddle drummer) Ian on drums. The addition of the ubiquitous Mr Starrett (who collaborated with George in Mink and The Puddle’s Songs for Emily Valentine album in the Nineties, and has also played with the Pop Art Toasters, the Bats and David Kilgour) brings back that essential keyboard element missing since the early Nineties.

We quote the amusing press release again: “Puddle’s catholic mix of pop, blues, psychedelia, jazz, minimalism, rock’n’roll and god-knows-what-else appeals to humans of all ages who are not too proud to dance and the lyrics of love, sex, drugs, bewilderment and space travel are clearly audible at all times. Their live performances are legendary, walking the fine line between epiphany and cacophony with unexpected musical and lyrical rabbits pulled from invisible hats.”

Henderson here, with admirable candour, answers the fast 15 questions . . .

The first piece of music which really affected you was . . .

Ride of The Valkerie by Richard Wagner, in my parent’s 7” pile

Your first (possibly embarrassing) role models in music were . . .

Marc Bolan, the Beatles, Watchdog (Invercargill glam-metal-prog band 1973-75)

Lennon or Jagger, Ramones or Nirvana, Madonna or Gaga, Jacko or Jay-Z?

Lennon played instruments and wrote better, but Jagger stuck up for the male sex while Lennon folded. Nirvana annoyed me, Ramones bored me, so Nirvana. No opinion on the ladies. Not familiar with Jay-Z but Jacko was a genius and would be hard to beat at his game.

If music was denied you, your other career choice would be . . .

Best-selling quack doctor

The three songs (yours, or by others) you would love everyone to hear are . . .

Beings Rest Finally by Beat Rhythm Fashion, Song for Insane Times by Kevin Ayers, This Liberal Love by Microdisney

Any interesting, valuable or just plain strange musical memorabilia at home?

A copy of the Nux Vomica 7” My Life To Live b/w TV Producer

The best book on music or musicians you have read is . . .

Renegade (by Mark E. Smith), Positively George Street (by Matthew Bannister), Songs They Don’t Play on the Radio (by Nico’s former keyboard player). They all remind me of aspects of my own career. Have You Checked the Children (by George Churton) which actually discusses it in depth.

If you could get on stage with anyone it would be . . . (And you would play?)

I’d love to sing one my songs with the Clientele. Naked would do.

The three films you’d insist anybody watch because they might understand you better are . . .

Autofocus. Punch Drunk Love. Dark of the Sun.

Buttons_cover_picThe last CD or vinyl album you bought was . . . (And your most recent downloads include . . .)

Vinyl album: Andy Williams’ Love Andy, his best in my opinion. Best recent download Between the Buttons by The Rolling Stones, their best also in my opinion.

One song, royalties for life, never have to work again. The song by anyone, yourself included, which wouldn’t embarrass you in that case would be . . .

No song that did half that well could ever embarrass me.

The poster, album cover or piece of art could you live with on your bedroom forever would be . . .

Playboys in the Bush or anything by Tanya Hoar

You are allowed just one tattoo, and it is of . . .

I have enough scars already without paying some drongo to tag me.

David Bowie sang, “Five years, that’s all we’ve got . . .” You would spend them where, doing . . .?

Just right here doing what I’m doing. I’ve based my life on that premise for the past five years. You don’t understand Playboys in the Bush if you don’t realise that my major anxiety was dying before it was recorded. I dreaded the idea of falling under a bus and no-one hearing the songs. Sometimes I care more about posterity than I do about my own children.

pitb_front_smallAnd finally, in the nature of press conferences in Japan, “Can you tell me please why this is your best album ever?”

For a start, it’s very unlikely that I’ll ever again have this much money or time to spend on an album or this many talented collaborators. The album catches a special point in my life, the point five years ago when I started to live to my full potential; it catches the energy of a new romance, the excitement and terror of new starts, while pillaging my past for unexploited highlights.

So it covers a wider period of creativity than previous work (two and a half decades), yet the exact moment of its creation was especially intense.

It’s the first album I made in a reasonably sober state, and it’s the first album anywhere to have artwork by Tanya Hoar.

The Puddle’s New Zealand tour dates in February are as follows . . .

Friday 4 February, Hamilton, Ward Lane (with Matthew Bannister + Hollow Grinders)
Saturday 5 Feb, Auckland, Dogs Bollix (with Azalia Snail + Sandra Bell)
Wednesday 9 Feb, Gisborne, Kingfisher Bar (with The Opposite Sex)
Thursday 10 Feb, Masterton, Golden Shears (with Dragstrip)
Friday 11 Feb, Palmerston North, Roayl Hotel (with Vorn)
Saturday 12 Feb, Wellington, Happy! (with Vorn)

Added: 31 Jan 2011