Axemen vs Big Brother(s) – round one

In a stunning David and Goliath legal challenge backdown, the Axemen came out with pea-shooters and slingshots blazing to bring the heavy handed but hamfisted WARNER BROTHERS franchise to its knees after its bullying challenge to the bands right to post their own material online.

The bizarre set of events began when Warner Bros, with their hordes of copyright lawyers and the huge stick of the publishing industry behind their back simply GOT IT WRONG, accusing the Axemen of infringing copyright which it claimed on the bands own material. A simple copyright search on APRA/AMCOS records would have shown the rush-to-judgment giants that all Axemen material published and released on Flying Nun, Sleek Bott, Silt Breeze, Negative Guest List, etc. is the sole property of Sleek Bott Publishing, with royalties being divided amongst the songwriters as appropriate.

The arrogance of Warner’s in assuming because they are the top feeders, swallowing up Flying Nun from the stomach of Mushroom records as almost a burp but finding some remnants of possible income in the bowels and seeing an opportunity to squeeze out a couple bucks from the ruminant remains, is astounding and simply serves to expose their greed and arrogance and highlight some of the injustices and the inherent unfairness of the existing copyright system.

A timely reminder to register your songs and protect your rights inasmuch as they can be protected, but at least avoid the ridiculous situation where a corporate can legally force you to remove your own material from display….

You can see the allegedly offending video at the link below in the backdown email from YouTube/WMG (Warner’s Music Group).

Never let it be said the Axemen take shit from the man!

----------------------------------------------------------------------------
From: YouTube <no_reply@youtube.com>
Date: 29 July 2012 3:21:37 AM NZST
To: N0ISYLAND <noneofyourbusiness@somewhere.nz>
Subject: Information about your video ""Mourning of Youth" (1987) by AXEMEN"
Dear N0ISYLAND,
WMG has reviewed your dispute and released its copyright claim on your video, 
""Mourning of Youth" (1987) by AXEMEN". 
For more information, please visit your Copyright Notice page
Sincerely,
 - The YouTube Team
----------------------------------------------------------------------------

Introducing William ‘a girls best friend’ Daymond

A girls best friendIn the wake of the departure of Bob Brannigan and Mick Elborado’s increasingly angry instability the remaining Axemen  would like to introduce the new beacon of rock’n’roll ardour, the hope of  Axemen Generation Y, the bass-bone connected to the backbone, the rhythm king, a girls best friend… William Daymond.

Born in 1984, Daymond injects the vigour of youth into the unit and his infectious enthusiasm has infused the band with a new surge of energy – and ladies, believe me, the surge is working!

Well known as much for his extensive musical knowledge as for his work with The Pickups, Green Eyed Owl , Cougar Cougar Cougar, The Flying Sorcerers, The Steffan van Soest Hit Machine, Terror of the Deep (amongst others) , Daymond  adds his versatility and another layer of complexity to the steaming porridge that is the Axemen class of 2011.

Welcome Aboard!

by Amebic Sec Vet

Axemen’s ‘3 Virgins’ Double LP NOW AVAILABLE

(re-printed courtesy of siltblog: Axemen’s ‘3 Virgins’ Double LP NOW AVAILABLE)

FINALLY! After a couple of years in the RE-making, the Axemen’s legendary dbl lp ‘3 Virgins, 3 Virgins, 3 Visions’ (hereafter known simply as 3V’s) is available for order. Originally seeing the light of day on the Flying Nun label in 1985, 3V’s is a broad canvas of sound, seemingly channeling other likeminded cornerstones of fringe rumble such as ‘Trout Mask Replica’, ‘Exile On Main Stree’t & ‘Tago Mago’. Just like last time (remember?) this is a limited edition run of 600 & housed is a stunning full color gatefold sleeve. Prices are as follows;
20$ppd-US
24$ppd-Canada
30$ppd-Elsewhere

*LIMITED TIME OFFER*

Add to your order both previous Axemen titles; ‘Big Cheap Motel’ lp + Scary,Part III double lp for only 15$ more! No extra shipping cost either!That’s 3 more lp’s! What a bargain!
(Just make sure to mention when ordering).

Paypal to; sltrx@pil.net

*AND WHILE YOUR HERE*

Check out this AMAZING 3 Virgins promo film shot back in the day by Stu Kawowski & Lawrence Lens (Nux Vomica, Portage mastermind);

AXEMEN “Three Virgins” sure to rise again…

Like a phoenix, it’s flaming wings rendering liquefacted silt into weirdly shaped shiny psychedelic ceramic sculptures as it rises from the quake-decimated ruins of Christchurch’s State Trinity Centre, the penultimate Axemen tome “Three Virgins, Three Versions, Three Visions”  (commonly referred to in hushed tones as simply “Three Virgins“), well, more accurately, the four fragile lacquers of which are currently and patiently awaiting their turn at R.T.I. USA. Soon those lovingly engraved mothers will be slammed into steaming 180 gram piles of black vinyl, and slipped into exact replicas of the intricately elaborate 4-colour gatefold sleeve, the cost of said practically bringing Flying Nun Records to it’s knees back in the Christchurch of 1986.

The 22/2/11 quake-decimated ruins of Christchurch’s State Trinity Centre.

 

Kawowski’s vain effort to bake the original 7″ masters in a food-dehydrator, and transfer digitally proved unacceptable to his high standards of aural sensitivity. With the upwards nodding approval of the other 2/3 of the legendary flat-city triad, Steve ‘n Bob, together with the blessing of the sage Siltbreeze label boss T. J. Lax, Germany’s and possibly the world’s pre-eminate ‘needle drop’ exponent Thomas Hartlage of SHADOKS™ was contracted to place his own virgin pressing of the original 1986 pressing onto his unspeakably expensive transcription system, the result being a beautifully crafted replica with all aspects and nuances of the tricky trio’s debut vinyl of PQ (pre-quake) ChCh yesteryear. Not sufficiently content with this scintillating facsimile, the 24bit WAVs were broadbanded south to a dijkside upstairs warehouse near Amsterdam, where the legendary FIR International wove his mastering magic upon the 22 tracks, and soon after Mark at Prairie Cat Mastering in Illinois had manifested the four sides of the 88 minute set in shiny, shiny lacquer.

An announcement will be made shortly regarding worldwide availability of these waxy widgets. Keep watching here, and AXEMEN on Facebook.

Stop Press: In a generous 11th hour gesture, Shadoks & Fir International donated 60% of the mastering costs to the Christchurch Earthquake Appeal. In fact the whole exercise of re-releasing Three Virgins is all about the music, as the small 2nd edition pressing run will only produce 600 copies, and not return much of a profit to Siltbreeze’s hungry shareholders. The Axemen are very cognizant of this fact and super-appreciative of everyone’s efforts and generosity all round.

Copycat Crime? Life imitates Mick in US IRS attack

Reprinted from http://news.yahoo.com/s/ap/20100218/ap_on_re_us/us_plane_crash_texas

cf: https://theaxemen.wordpress.com/2009/11/18/ird-door-smasher-had-warned-of-terrorism/

Man angry at IRS crashes plane into building

By JIM VERTUNO, Associated Press Writer Jim Vertuno, Associated Press Writer Thu Feb 18, 6:57 pm ET

AUSTIN, Texas – A software engineer furious with the Internal Revenue Service launched a suicide attack on the agency Thursday by crashing his small plane into an office building containing nearly 200 IRS employees, setting off a raging fire that sent workers running for their lives.

At least one person in the building was missing.

The FBI tentatively identified the pilot as Joseph A. Stack, 53. Law enforcement officials, speaking on condition of anonymity because the investigation was still going on, said that before taking off, Stack apparently set fire to his house and posted a long anti-government screed on the Web. It was dated Thursday and signed “Joe Stack (1956-2010).”

In it, the author cited run-ins he had with the IRS and ranted about the tax agency, government bailouts and corporate America’s “thugs and plunderers.”

“I have had all I can stand,” he wrote, adding: “I choose not to keep looking over my shoulder at `big brother’ while he strips my carcass.”

The pilot took off in a single-engine Piper Cherokee from an airport in Georgetown, about 30 miles from Austin, without filing a flight plan. He flew low over the Austin skyline before plowing into the side of the hulking, seven-story, black-glass building just before 10 a.m. with a thunderous explosion that instantly stirred memories of Sept. 11.

Flames shot from the building, windows exploded, a huge pillar of black smoke rose over the city, and terrified workers rushed to get out.

The Pentagon scrambled two F-16 fighter jets from Houston to patrol the skies over the burning building before it became clear that it was the act of a lone pilot, and President Barack Obama was briefed.

“It felt like a bomb blew off,” said Peggy Walker, an IRS revenue officer who was sitting at her desk. “The ceiling caved in and windows blew in. We got up and ran.”

Stack was presumed dead, though police said they had not recovered his body as of Thursday evening. At least 13 people were injured, with two reported in critical condition. About 190 IRS employees work in the building.

Gerry Cullen was eating breakfast at a restaurant across the street when the plane struck the building and “vanished in a fireball.”

Matt Farney, who was in the parking lot of a nearby Home Depot, said he saw a low-flying plane near some apartments just before it crashed. “I figured he was going to buzz the apartments or he was showing off,” Farney said. “It was insane. It didn’t look like he was out of control or anything.”

Sitting at her desk in another building a half-mile from the crash, Michelle Santibanez felt the vibrations and ran to the windows, where she and her co-workers witnessed a scene that reminded them of 9/11.

“It was the same kind of scenario, with window panels falling out and desks falling out and paperwork flying,” said Santibanez, an accountant.

The building, in a heavily congested section of Austin, was still smoldering six hours later, with the worst of the damage on the second and third floors.

The entire outside of the second floor was gone on the side of the building where the plane hit. Support beams were bent inward. Venetian blinds dangled from blown-out windows, and large sections of the exterior were blackened with soot. It was not immediately clear if any tax records were destroyed.

Andrew Jacobson, an IRS revenue officer who was on the second floor when the plane hit with a “big whoomp” and then a second explosion, said about six people couldn’t use the stairwell because of smoke and debris. He found a metal bar to break a window so the group could crawl out onto a concrete ledge, where they were rescued by firefighters. His bloody hands were bandaged.

Austin Police Chief Art Acevedo said “heroic actions” by federal employees may explain why the death toll was so low.

The FBI was investigating. The National Transportation Safety Board sent an investigator as well.

Rep. Michael McCaul, a Republican from Austin on the Homeland Security Committee, said the panel will take up the issue of how to better protect buildings from attacks with planes.

In the long, rambling, self-described “rant” that Stack apparently posted on the Internet, he began: “If you’re reading this, you’re no doubt asking yourself, `Why did this have to happen?'”

He recounted his financial reverses, his difficulty finding work in Austin, and at least two clashes with the IRS, one of them after he filed no return because, he said, he had no income, the other after he failed to report his wife Sheryl’s income.

He railed against politicians, the Catholic Church, the “unthinkable atrocities” committed by big business, and the government bailouts that followed. He said he slowly came to the conclusion that “violence not only is the answer, it is the only answer.”

“I saw it written once that the definition of insanity is repeating the same process over and over and expecting the outcome to suddenly be different. I am finally ready to stop this insanity. Well, Mr. Big Brother IRS man, let’s try something different; take my pound of flesh and sleep well,” he wrote.

According to California state records, Stack had a troubled business history, twice starting software companies in California that ultimately were suspended by the state’s tax board, one in 2000, the other in 2004. Also, his first wife filed for bankruptcy in 1999, listing a debt to the IRS of nearly $126,000.

The blaze at Stack’s home, a red-brick house on a tree-lined street in a middle-class neighborhood six miles from the crash site, caved in the roof and blew out the windows.

Elbert Hutchins, who lives one house away, said the house caught fire about 9:15 a.m. He said a woman and her teenage daughter drove up to the house before firefighters arrived.

“They both were very, very distraught,” said Hutchins, a retiree who said he didn’t know the family well. “‘That’s our house!’ they cried. `That’s our house!'”

Red Cross spokeswoman Marty McKellips said the agency was treating two people who live in the house.

___

Associated Press writers April Castro and Jay Root in Austin; Michelle Roberts in Georgetown; Linda Stewart Ball, Danny Robbins, Jeff Carlton and John McFarland in Dallas; Devlin Barrett, Lolita C. Baldor and Joan Lowy in Washington; and Melanie Coffee and Barbara Rodriguez in Chicago contributed to this report, along with the AP News Research Center.

Times New Viking/Axemen, Tour Single: No. 1 Top 7″ Tour Single: House List NYC

http://houselist.bowerypresents.com/2009/12/it’s-the-end-of-the-year-as-we-know-it/

The House List

2009, Bitches!

As 2009 comes to a close, The House List’s writers and photographers (and editor) take a look back at the year that was. Check back tomorrow for our year-end photo gallery.

My Top Five 7″ Tour Singles

I’ve always loved that for the price of a drink, bands sometimes go the extra distance for their tour and press 7″ vinyl that you really can’t get anywhere else but at the merch table.

1. Times New Viking/Axemen, Tour Single
I love Times New Viking’s no-fi melodic messiness, and they save the great experimental stuff for their B-sides. I got this at their Mercury Lounge show. That it was a split with New Zealand legends the Axemen was even better. Only later did I find out each band covered the other’s songs and they hand-colored every copy! It’s that combination of paying homage to this influential band and introducing people through their reinterpretations that makes this an easy No. 1.

2. Jeff Novak, “Home Sweet Home” Single
I recognized Stephen Braren of Cheap Time behind the table after the Jay Reatard show at Music Hall of Williamsburg, and I got Jeff Novak’s long sold-out single from Reatard’s Shattered Records. I actually ended up contacting Novak after this and talked with him for my own blog.

3. Black Dice, “Chocolate Cherry” Tour Single
Black Dice have just a handful of singles from quite a few years ago, so when I saw them at The Bowery Ballroom, I was just looking out of habit. But this unlabeled single ended up being from Catsup Plate, which put out the insane Animal Collective LP box set this year. Both unreleased tracks were a departure—almost funk and with recognizable vocal samples! Truly weird.

4. Make a Mess Records, “Brilliant Colors” Single
I went to see Nodzzz and Wavves at the Underground Lounge on the Upper West Side. I managed to talk to Eric Butterworth from Nodzzz, who had just pressed a single on his label, Make a Mess Records. This ended up being one of my favorites of the year. Simple, stripped-down female-fronted No Wave punk pop.

5. The Balkans, C++ Tour Single
I caught the Balkans at a new space in Brooklyn called Little Field. Woody Shortridge had pressed a single-sided 7″ at home, and I had to see it for myself. He pours them in his apartment and you get a really crazy-looking handmade single with the lowest of low-fi sound. And it helps that the track is great too. —Jason Dean, writer