THE AXEMEN | Sac Tap Nut Jam LP | SPACECASE

Reprinted from: http://www.spacecaserecords.com/axemen-sac-tap-nut-jam

THE AXEMEN | Sac Tap Nut Jam LP

Spacecase Records
US$14.00*

Sac Tap Nut Jam
The Axemen – SAC TAP NUT JAM, Spacecase SCR006, 2013

Spacecase Records is pleased to release Sac Tap Nut Jam—the first new Axemen full length in twenty-one years.
GO BUY SAC TAP NUT JAM NOW (direct from Spacecase)!
Originally from Christchurch, New Zealand, The Axemen formed in 1983. Shortly afterwards the band solidified around the core of Steve McCabe, Stu Kawowski and Bob Brannigan. (More than two dozen musicians have played in the Axemen, notably Johnny Segovia, George D. Henderson, Mick Elborado and Peter Gutteridge). Initial Axemen releases came out on Steve McCabe’s cassette label, Sleek Bott. The Axemen signed to Flying Nun in the mid ’80s, releasing the label’s first double album, Three Virgins (1986). Like The Swell Maps, The Axemen sound is hard to define—Three Virgins runs the gamut, from country to punk to avant-garde. The Axemen released their second Flying Nun record Derry Legend in 1987. The band put out further cassettes on Sleek Bott, notably Scary (Part III) and Three Rooms (An Elton John Tribute Album), before going on hiatus in the early ’90s.

           In 2009, The Axemen caught their second wind thanks to Tom Lax at Siltbreeze who reissued the band’s cassette-only releases Big Cheap Motel and Scary (Part III). The Axemen toured the United States with Times New Viking the same year. In 2011 The Axemen visited Australia and put out a tour 7″— a label split between McCabe’s Sleek Bott and the late Brendon Annesley’s Negative Guest List Records. Siltbreeze came through again that year, reissuing Three Virgins on vinyl (original pressings were going for well over fifty dollars).

Sac Tap Nut Jam finds Steve McCabe and Stu Kawowski reuniting with Dragan Stojanovic (who played on 1987’s Derry Legend)rounding out the lineup is William Daymond. Recorded in early 2013 in Wellington and Taita, Lower Hutt, Sac Tap Nut Jam—like all Axemen releases—defies easy categorization. There’s The Beatles/Dylan pop of Stojanovic’s “These Days”; McCabe’s post punk-influenced “Doctor’s on Speed Dial”; Steve McCabe’s inimitable voice and stream-of-consciousness lyric writing comes to the forefront on “Google That Girl”.

500 vinyl copies of Sac Tap Nut Jam were pressed up—400 on black, 100 on gold. The Axemen are currently planning a tour of New Zealand in support of Sac Tap Nut Jam.

Sac Tap Nut Jam is the sixth release from Camarillo, California-based Spacecase Records.


If ordering from outside the United States please email orders@spacecaserecords.com before submitting your order for accurate shipping rates.

* + shipping

Up Front with the Yub Nubz

such a tease
such a tease

Hot on the soles of their forthcoming new 12″ release ‘Sac Tap Nut Jam’, the Axemen are chaffing at the bit for punters to step up into the stirrups climb into the saddle and hitch their wagons to the new guiding star, the star that comes from the South, the star that IS the Axemen. The current lineup, showing impeccable taste chose this outlet for their first official interview regarding the new album.

Steve McCabe - still working on the John Halvorsen / Eraserhead look
Steve McCabe – still working on the John Halvorsen / Eraserhead look

Steve McCabe, speaking from his idyllic kiwi coast bach in the Coromandel on the verge of a 3 month sabbatical in the Pacific Islands, was the first to speak out on the release:

Steve McCabe: “I was initially troubled by the concept of plant (‘inanimate’) objects being incapable of feeling pain. This is the reason we embarked on the ‘Sac Tap’ project in the first place. All things were pointing in this direction, we had a levy-breaking wall of song built up ready to breach the sea-walls, with nowhere else to run!” he enthused in answer to my first utterance “Hello”.

IMG_5391
William Daymond – Role Model for troubled youth

William Daymond: “Dragan came over and showed me the famous ‘swizzle-sticks in a jar’ experiment – believe it or not this was the first time i ever experimented with this kind of experiment – and frankly it blew me away. My ‘Sac Tap’ commitment started there”.

IMG_5341
Stu Kawowski – aka Ludwig van Beathoven

Stu Kawowski: “Yeah I kinda dug Will’s naivete in the beginning, but by the end of the sessions we were churning it up free flow like a machete machine with overblown muscle-cloth spun on a quantum wheel upon which no-one can see which way its rotating but experienced users can count the bleats”

IMG_5354
Dragan Stojanovic – go ahead… tap my sac!

Dragan Stojanovic: “I count my blessings. And I think the other lads are counting theirs. The Axemen are the only band I would get out of bed to play in. Of course I’m fantastic in bed too!”.

Accolades are already pouring in from all over the world and the roundabout at Stokes Valley Road is fast becoming a local tourist attraction, with double-decker buses frequently thrilling passengers by driving around it multiple times, in one case until one elderly passenger threw up (she soon recovered when the tour guide pointed out Dragan Stojanovic walking down the road to the alchemists and giving her and the other passenger his trademark “fingers” gesture – a Serbian sign usually reserved for Croation soldiers – much to the amusement of the appreciative cheering passengers).

Idols and rivals check out the scene
Idols and rivals check out the scene

Watch this Space[case] spacecasefor new revelations!

The Axemen wish to thank Ryan and Mor at Spacecase who were instrumental (and vocal) in making the project happen…  http://www.spacecaserecords.com/ cheers dudes!

Just out of embargo : Bott 13 – Came a Bott Friday – installment 1

bott13Te ‘Came a Bott Friday’ album was released sometime in 1987 and is also sometimes referenced as Bott 13 … te pota tiritina… enjoy!

1a Wake Of A Sinner

1b I Am The Seed

1c Yours Severely

1e Beats Under The Rocks S

1f Zion Steamroller S

2a Violence & Half-Uncles S

2b Too Much Beer–Too Little Sleep S

2c Dick’s Riff

2d Happy Ever After

2e Sondheim’s Serenade

2f The Devil Went Down To Woodstock S

 

 

 

 

 

 

 

For Lee Jackson in Space

For Lee Jackson in Space

by For Lee Jackson in Space

  • Immediate download of 94-track album in your choice of MP3 320, FLAC, or just about any other format you could possibly desire.

    Buy Now  $30 USD  or more

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about

This tribute album came together in love and honor of Lee Jackson, writer, music fan, dear friend, who passed in late March 2012 after a struggle with ALS, commonly known as Lou Gehrig’s disease. This collection of songs, nearly all of which are new or previously unreleased, comes from the many bands and musicians who Lee not only covered and celebrated with such passion, but also in many cases befriended over many years of correspondence, concert and festival attendance and more. The album’s liner notes contain full information about each song as well as thoughts from Lee himself about the contributing artists, taken from his writing work. All profits will go to the Texas chapter of the ALS Association; web.alsa.org/DFW2012 has more information about their continuing work. Please feel free to join our Facebook discussion group at www.facebook.com/groups/323110634410498/ if you’d like to learn more about the remarkable man who we all dearly miss; there is also a direct link to this album in Facebook itself at www.facebook.com/ForLeeJacksonInSpace

credits

released 04 June 2012
Compiled by Mats Gustafsson, Travis Johnson and Ned Raggett — our endless thanks to all participating bands and performers!

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Done and Dusted – Dusted Magazine review of 3 Virgins re-release

Reprinted from: http://dustedmagazine.com/reviews/6567

Normally, when people use the phrase “a musician’s musician,” it’s meant to describe some Les Claypool nightmare whose dexterity and technical skill can only be properly appreciated by people who have also dedicated themselves to a life of fretless guitars and sweep arpeggios. That being said: When New Zealand’s Axemen want to be, they’re musicians’ musicians. It takes some effort to crack the self-serving exterior of their approach (getting drunk, recording off-the-cuff songs with whoever was hanging around, and releasing as much of it as humanly possible) but, as anyone who’s ever tried this approach themselves can attest, it’s completely intoxicating as long as you don’t muck it up by throwing in any pretensions of sophistication. By making their methods obvious and leaving very little to the imagination, Axemen have created a bunch of music that perfectly encapsulates the feeling of fucking around creatively with your friends.

Three Virgins is the final release in a series of terrific Axemen reissues Siltbreeze has put together, and by now it’s pretty clear that these records, pressed to wax in 1985, were a relic of their time and place. The idea of starting a non-terrible band with the expressed purpose of protesting a sexist milk advertisement has been left by the wayside, to say the least. Their willingness to experiment using the rock and roll song as a launchpad, but with few clear reference points, has gone almost unmatched in the DIY community since these albums were released the first time around. Granted, their apparent creative process has lived on in a less slapdash form, but the fact that Axemen were playing and releasing music with this mentality when recording your garage band could still be considered “hard work” is admirable, and near-singlehandedly makes these reissues worthwhile.

Methods aside, Axemen’s songs tend to do more than scrape by on the band’s charisma, falling somewhere between the droll bounce of Axemen’s countrymen Tall Dwarfs and the more stream-of-consciousness Swell Maps songs. (Emphasis on the “tend to,” though, if only because Three Virgins is 88 minutes long and is therefore destined to include some downtime, but the hilarious single-mindedness required to craft an entire double LP in the league of Three Virgins is to be commended regardless.)

While their Flying Nun contemporaries were crafting songs with relatively clear-cut roots in pop, punk and noise, Axemen were paving new routes into all three. While their results might not reach the transcendent heights of The Clean or The Verlaines, their charming lack of ambition and rickety, fuck-it mentality created something else entirely; misogynist ads and traditional song structures be damned.

By Joe Bernardi

Stateside Axemen Spin-off Series Season 1 Comes to a Close

Season Finale Pt 3: universally praised

With an episode with the knife-edge cliffhanger to rival the ‘Who Shot JR?’ Dallas episode, the RICHY27ABLE  channel’s first season drew to a close on Tuesday 15 June with the much awaited SEASON FINALE.

Playing to tens of viewers stateside and countless on the Worldwide Web the series was universally acclaimed by critics and the across the Blogosphere and the Twitterverse.

The New York Times described the final episode as ‘Fellini-esque and quite superb’ while Egyptian dissident Hamand X tweeted “for 3 and a half minutes, the revolution stopped 🙂 for 200 seconds there was no conflict :O”, as he shared his iPod screen with soldiers who minutes ago had been sniping at them but laid down their arms to join the rebels in another kind of revolution, the YouTube.

Fusil de Chasse: vaunted runaway indy hit

Adding to the speculation is the question mark over Bens participation in the next series following the runaway success on the independent circuit of his ‘Fusil de Chasse’ following its last minute inclusion as a short at Sundance this year. Whist Ben dismisses such rumors as speculation it was widely reported he was seen in long discussions with Redford following the screening.