Axemen Aussie Tour 2011 – early dates info

reprinted from: http://www.messandnoise.com/discussions/4305304

http://www.youtube.com/watch?v=Yv-iM_1h5uA

Australia December 2011

http://tinyurl.com/axemenaustralia2011

10th: Brisbane Negative Guestlist Festival

14th: Newcastle

with

  • Cock Safari
  • Bare Grillz

15th: Sydney – Red Rattler

with:

  • Alps (Newcastle)
  • XNobbqx (siltbreeze)
  • Mad Nana( Melbourne supergroup)
  • School Girl Report
  • Satanic Rockers( Melbourne/NZ)

17th: Batemans Bay Festival
with:

  • Circle Pit,
  • Paul Kidney Experience,
  • Kitchens Floor,
  • School Girl Report,
  • Mad Nanna,
  • Cured Pink,
  • Alps,
  • XNOBBQX,
  • Satanic Rockers,
  • Meat Thump

plus many more…

19th-21st: Melbourne

22nd: Hobart

23rd: Adelaide

Axemen’s ‘3 Virgins’ Double LP NOW AVAILABLE

(re-printed courtesy of siltblog: Axemen’s ‘3 Virgins’ Double LP NOW AVAILABLE)

FINALLY! After a couple of years in the RE-making, the Axemen’s legendary dbl lp ‘3 Virgins, 3 Virgins, 3 Visions’ (hereafter known simply as 3V’s) is available for order. Originally seeing the light of day on the Flying Nun label in 1985, 3V’s is a broad canvas of sound, seemingly channeling other likeminded cornerstones of fringe rumble such as ‘Trout Mask Replica’, ‘Exile On Main Stree’t & ‘Tago Mago’. Just like last time (remember?) this is a limited edition run of 600 & housed is a stunning full color gatefold sleeve. Prices are as follows;
20$ppd-US
24$ppd-Canada
30$ppd-Elsewhere

*LIMITED TIME OFFER*

Add to your order both previous Axemen titles; ‘Big Cheap Motel’ lp + Scary,Part III double lp for only 15$ more! No extra shipping cost either!That’s 3 more lp’s! What a bargain!
(Just make sure to mention when ordering).

Paypal to; sltrx@pil.net

*AND WHILE YOUR HERE*

Check out this AMAZING 3 Virgins promo film shot back in the day by Stu Kawowski & Lawrence Lens (Nux Vomica, Portage mastermind);

AXEMEN “Three Virgins” sure to rise again…

Like a phoenix, it’s flaming wings rendering liquefacted silt into weirdly shaped shiny psychedelic ceramic sculptures as it rises from the quake-decimated ruins of Christchurch’s State Trinity Centre, the penultimate Axemen tome “Three Virgins, Three Versions, Three Visions”  (commonly referred to in hushed tones as simply “Three Virgins“), well, more accurately, the four fragile lacquers of which are currently and patiently awaiting their turn at R.T.I. USA. Soon those lovingly engraved mothers will be slammed into steaming 180 gram piles of black vinyl, and slipped into exact replicas of the intricately elaborate 4-colour gatefold sleeve, the cost of said practically bringing Flying Nun Records to it’s knees back in the Christchurch of 1986.

The 22/2/11 quake-decimated ruins of Christchurch’s State Trinity Centre.

 

Kawowski’s vain effort to bake the original 7″ masters in a food-dehydrator, and transfer digitally proved unacceptable to his high standards of aural sensitivity. With the upwards nodding approval of the other 2/3 of the legendary flat-city triad, Steve ‘n Bob, together with the blessing of the sage Siltbreeze label boss T. J. Lax, Germany’s and possibly the world’s pre-eminate ‘needle drop’ exponent Thomas Hartlage of SHADOKS™ was contracted to place his own virgin pressing of the original 1986 pressing onto his unspeakably expensive transcription system, the result being a beautifully crafted replica with all aspects and nuances of the tricky trio’s debut vinyl of PQ (pre-quake) ChCh yesteryear. Not sufficiently content with this scintillating facsimile, the 24bit WAVs were broadbanded south to a dijkside upstairs warehouse near Amsterdam, where the legendary FIR International wove his mastering magic upon the 22 tracks, and soon after Mark at Prairie Cat Mastering in Illinois had manifested the four sides of the 88 minute set in shiny, shiny lacquer.

An announcement will be made shortly regarding worldwide availability of these waxy widgets. Keep watching here, and AXEMEN on Facebook.

Stop Press: In a generous 11th hour gesture, Shadoks & Fir International donated 60% of the mastering costs to the Christchurch Earthquake Appeal. In fact the whole exercise of re-releasing Three Virgins is all about the music, as the small 2nd edition pressing run will only produce 600 copies, and not return much of a profit to Siltbreeze’s hungry shareholders. The Axemen are very cognizant of this fact and super-appreciative of everyone’s efforts and generosity all round.

Gig Report: Times New Viking / The Axemen @ Maxwell’s, Hoboken, New Jersey

Reprinted from: http://www.musicsnobbery.com/2009/11/times-new-viking-the-axemen-maxwells.html

Times New Viking / The Axemen @ Maxwell’s

Times_new_viking1

So I neglected to post pictures and thoughts on the Times New Viking gig at Maxwell’s two weekends ago. Nothing much to report from the show, although I was a little surprised how small the crowd was for a somewhat name act. In any event, drummer Adam Elliott, with a fresh haircut, announced to the crowd at the start, “We have 16 songs, this is No. 1”. I thought, “well, this should be done in 32 minutes.” Almost, it was around 45 minutes. These cats don’t mess around. After the 16th song, they were out the door. They must have other plans post-show. I don’t blame them, sometimes I feel a need to get out of Hoboken on a Friday night.

The Ohio band’s latest release on Matador is Born Again Revisited. It’s no-fi hotness compacted into a 35-minutes of fuzz, buzz and screams. I wouldn’t expect anything less.

Previously:

Times_new_viking2

Times_new_viking3

Times_new_viking4

The Axemen of New Zealand are your straight forward retro garage rock band. The only thing to note is that their lead singer reminded me of Patton Oswalt. Wackity Smackity Dooooo

The_axemen

Record review – Scary!!! pt 3 by Kel E. Burnette

Reprinted from Kel E. Burnette’s  pronouncement at:

http://www.facebook.com/note.php?note_id=191255993910

Note: CD material is available from http://sleekbott.com

The Axemen, sans McCabe, sans Stojanovic, plus Turner, 2009
The Axemen, sans McCabe, sans Stojanovic, plus Turner, WFMU, 2009

Artist: Axemen
Title: Scary! Part III
Label: Siltbreeze
Long known underground stars from New Zealand, The Axemen are now gaining some well-deserved notoriety here in the States thanks to one of our finest labels, Siltbreeze. Tom Lax has again exhibited sterling musical sense in [repressing – sic.]re-pressing “Scary! Part III” and “Big Cheap Motel.”

Steve McCabe with Shonen Knife, Fun Fun Fun Fest
Steve McCabe with Shonen Knife, Fun Fun Fun Fest, Austin TX 2009

And while it’s not an easy task trying to pin down their sound, especially considering the variety of their entire discography (much less the territorial span of music on this release), I’ll give it a shot.

On my first listening, I immediately drew a comparison to Royal Trux, but that was basically drawn from the majority of vocals on the record, featuring some of the coolest, junked-out vox either before or after the Trux hit the scene.

AXEMEN - cool it with the pool boy
AXEMEN - cool it with the pool boy

From the get-go, the song “Heart Bullet” features some insanely fucked up vocals and word play. Unlike a lot of New Zealand music, the vocals are uncharacteristically mixed up and not buried in the instrumentation. It kind of paradoxically makes the voice seem like another instrument—I’m at a loss finding (other than Herrema) anyone to compare the vocals to while maintaining any real dignity. Suffice it to say that they’re easily in the upper echelon of all rock vox, and it’s continued across both wunnerfuly screwed tracks on the double LP set.

AXEMEN: 300% Sikh & Tyred
2009: 300% Sikh & Tyred

Though the music is varied, you never get the feeling that the album was thrown together as pieces. As incoherent and absurd as it is, the record has a marvelous cohesion, at times overtly a downer, such as the track “10 Miles (as the crow flies)” and other points like the near-sinister, hardcore influenced “Join the R.A.F.”

The Mirror News by Vince Carmody, DJ at Chapel Hill's Local 506 Club
The Mirror News by Vince Carmody, DJ at Chapel Hill's Local 506 Club

It’s near-put impossible to fix these fellers into any genre, and that’s a damn good thing. Not only that, it’s a fucking difficult thing to pull off convincingly, yet the Axemen do so with, well what’s the write word, grace? How about ‘instinct?’ That seems more apropos. It’s an instinct which speaks more to an overall aesthetic than does it any attempt to play this or that style of music.

This one of the strangest records ever sludged to wax, and it’s caused that compulsive collector in my to try and track down any and all of their recordings, which, from what I’ve read, is going to be a formidable task. This is no surprise since they formed around 1981 and have recorded pretty consistently since, and even through the broad spectrum of music the venerable Flying Nun label have pressed over the years, The Axemen stand totally on their own. Flying Nun wasn’t their only label over the years—there have been several, but as an American touchstone, it’s appropriate to mention them as one of the better-known imprints to bring up.

Sickie Stojanovic, 123 Pleasant Street, Morgantown, West Virginia
Sickie Stojanovic, 123 Pleasant Street, Morgantown, West Virginia

All I can tell you is that, even on this one double LP, influences include American hardcore and DIY, Beefheart (though nothing obvious springs to mind at the outset), a sort of Zappaesque sense of humor, bizarre synth music, employ of loops and on and on.

The Axemen are their own entity. The only downside to this is that it took so long for an American pressing to go down. I’ve heard that they’ve met with largely great critical press on their recent tour of the U.S. One can only hope that it continues and that we see them again very soon.

P. Somniferum