The Spies: The Battle of Bosworth Terrace [SiltBreeze 2014]

Rebroadcast from:  http://www.radionz.co.nz/national/programmes/nat-music/audio/2592335/the-spies
Originally aired on Radio NZ National Music, Saturday 12 April 2014

Wellington in 1979: A fairly unlikely bunch of musicians, artists and vagabonds went almost unnoticed in the squats of Wellington’s Bosworth Terrace, playing and recording together, loosely grouped under the banner of “The Spies”. Matthew Crawley speaks with The Spies’ George D Henderson about the rather unusual circumstances that led to the recording of The Spies album The Battle Of Bosworth Terrace, and why it’s taken 35 years for it to surface.

Duration:  11′ 11″

The Wonderful World of Axemen (RNR666)

Bob and “AXEMEN – Mystics in the Savage State” Graffiti, Christchurch, NZ 1985

Reprinted from: http://www.rnr666.hu/sixline/20130814/the-wonderful-world-of-axemen

Once upon a time the Axemen began life as a seething mass of algae in a cess-pool located at the back of a disused factory somewhere in North Dunedin, New Zealand.The exact location of the cess-pool has unfortunately been lost to the ravages of time, but the factory still stands – a disused, vacant shell with little hope of being restored to its former majesty. Following a sudden meteor storm in 1983, the Axemen rapidly evolved, developed fully functional hands and ears (where before there had only been useless stumps) and metamorphosed rapidly into one of the most radical, chaotic and inspired rock bands of all time.” & so on.

They were one of the World most killingly funny bands but no one knew about it before the internet age. Beside many own released cassettes they has released three albums by the legendary Flying Nun Records. Prices of these items are extremely high nowadays. (For example the Peter Wang Pud used CD is 25-80 Euros, the vinyl are between 35-100 Euros.)

Suitable phrases for their music: radically independent do-it-yourself lo-fi garage art punk. But “I hung out with the Hare Krishnas in Christchurch for a little bit. They used to have free vegetarian dinners on Sunday nights. The music was pretty cool. There was sort of a Beatles connection with Hare Krishna. Stu was really into John Lennon. We were all Beatles fans.” Moreover their last cassette was a tribute album to Elton John in 1992. It’s so frightening, is not it? When I first met with them in 2011 I cried out “Oh my God! What is it?”

The first video is a rare and baffling TV performance in a Saturday morning kid show in 1991. The song (Hey Alice!) turns into a promo for their just released CD. I’m sure, many New Zealander children cried for Axemen CD after the show.

And the destiny has reached him too. They have become discovered. Their albums were re-released in the US by Siltbreeze. And now here is the new, yes the new Axemen album! Sac Tap Nut Jam. It’s less chaotic like the usual. A song from it.

Up Front with the Yub Nubz

such a tease
such a tease

Hot on the soles of their forthcoming new 12″ release ‘Sac Tap Nut Jam’, the Axemen are chaffing at the bit for punters to step up into the stirrups climb into the saddle and hitch their wagons to the new guiding star, the star that comes from the South, the star that IS the Axemen. The current lineup, showing impeccable taste chose this outlet for their first official interview regarding the new album.

Steve McCabe - still working on the John Halvorsen / Eraserhead look
Steve McCabe – still working on the John Halvorsen / Eraserhead look

Steve McCabe, speaking from his idyllic kiwi coast bach in the Coromandel on the verge of a 3 month sabbatical in the Pacific Islands, was the first to speak out on the release:

Steve McCabe: “I was initially troubled by the concept of plant (‘inanimate’) objects being incapable of feeling pain. This is the reason we embarked on the ‘Sac Tap’ project in the first place. All things were pointing in this direction, we had a levy-breaking wall of song built up ready to breach the sea-walls, with nowhere else to run!” he enthused in answer to my first utterance “Hello”.

IMG_5391
William Daymond – Role Model for troubled youth

William Daymond: “Dragan came over and showed me the famous ‘swizzle-sticks in a jar’ experiment – believe it or not this was the first time i ever experimented with this kind of experiment – and frankly it blew me away. My ‘Sac Tap’ commitment started there”.

IMG_5341
Stu Kawowski – aka Ludwig van Beathoven

Stu Kawowski: “Yeah I kinda dug Will’s naivete in the beginning, but by the end of the sessions we were churning it up free flow like a machete machine with overblown muscle-cloth spun on a quantum wheel upon which no-one can see which way its rotating but experienced users can count the bleats”

IMG_5354
Dragan Stojanovic – go ahead… tap my sac!

Dragan Stojanovic: “I count my blessings. And I think the other lads are counting theirs. The Axemen are the only band I would get out of bed to play in. Of course I’m fantastic in bed too!”.

Accolades are already pouring in from all over the world and the roundabout at Stokes Valley Road is fast becoming a local tourist attraction, with double-decker buses frequently thrilling passengers by driving around it multiple times, in one case until one elderly passenger threw up (she soon recovered when the tour guide pointed out Dragan Stojanovic walking down the road to the alchemists and giving her and the other passenger his trademark “fingers” gesture – a Serbian sign usually reserved for Croation soldiers – much to the amusement of the appreciative cheering passengers).

Idols and rivals check out the scene
Idols and rivals check out the scene

Watch this Space[case] spacecasefor new revelations!

The Axemen wish to thank Ryan and Mor at Spacecase who were instrumental (and vocal) in making the project happen…  http://www.spacecaserecords.com/ cheers dudes!

Just out of embargo : Bott 13 – Came a Bott Friday – installment 1

bott13Te ‘Came a Bott Friday’ album was released sometime in 1987 and is also sometimes referenced as Bott 13 … te pota tiritina… enjoy!

1a Wake Of A Sinner

1b I Am The Seed

1c Yours Severely

1e Beats Under The Rocks S

1f Zion Steamroller S

2a Violence & Half-Uncles S

2b Too Much Beer–Too Little Sleep S

2c Dick’s Riff

2d Happy Ever After

2e Sondheim’s Serenade

2f The Devil Went Down To Woodstock S

 

 

 

 

 

 

 

For Lee Jackson in Space

For Lee Jackson in Space

by For Lee Jackson in Space

  • Immediate download of 94-track album in your choice of MP3 320, FLAC, or just about any other format you could possibly desire.

    Buy Now  $30 USD  or more

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about

This tribute album came together in love and honor of Lee Jackson, writer, music fan, dear friend, who passed in late March 2012 after a struggle with ALS, commonly known as Lou Gehrig’s disease. This collection of songs, nearly all of which are new or previously unreleased, comes from the many bands and musicians who Lee not only covered and celebrated with such passion, but also in many cases befriended over many years of correspondence, concert and festival attendance and more. The album’s liner notes contain full information about each song as well as thoughts from Lee himself about the contributing artists, taken from his writing work. All profits will go to the Texas chapter of the ALS Association; web.alsa.org/DFW2012 has more information about their continuing work. Please feel free to join our Facebook discussion group at www.facebook.com/groups/323110634410498/ if you’d like to learn more about the remarkable man who we all dearly miss; there is also a direct link to this album in Facebook itself at www.facebook.com/ForLeeJacksonInSpace

credits

released 04 June 2012
Compiled by Mats Gustafsson, Travis Johnson and Ned Raggett — our endless thanks to all participating bands and performers!

tags

license

all rights reserved

 

Axemen vs Big Brother(s) – round one

In a stunning David and Goliath legal challenge backdown, the Axemen came out with pea-shooters and slingshots blazing to bring the heavy handed but hamfisted WARNER BROTHERS franchise to its knees after its bullying challenge to the bands right to post their own material online.

The bizarre set of events began when Warner Bros, with their hordes of copyright lawyers and the huge stick of the publishing industry behind their back simply GOT IT WRONG, accusing the Axemen of infringing copyright which it claimed on the bands own material. A simple copyright search on APRA/AMCOS records would have shown the rush-to-judgment giants that all Axemen material published and released on Flying Nun, Sleek Bott, Silt Breeze, Negative Guest List, etc. is the sole property of Sleek Bott Publishing, with royalties being divided amongst the songwriters as appropriate.

The arrogance of Warner’s in assuming because they are the top feeders, swallowing up Flying Nun from the stomach of Mushroom records as almost a burp but finding some remnants of possible income in the bowels and seeing an opportunity to squeeze out a couple bucks from the ruminant remains, is astounding and simply serves to expose their greed and arrogance and highlight some of the injustices and the inherent unfairness of the existing copyright system.

A timely reminder to register your songs and protect your rights inasmuch as they can be protected, but at least avoid the ridiculous situation where a corporate can legally force you to remove your own material from display….

You can see the allegedly offending video at the link below in the backdown email from YouTube/WMG (Warner’s Music Group).

Never let it be said the Axemen take shit from the man!

----------------------------------------------------------------------------
From: YouTube <no_reply@youtube.com>
Date: 29 July 2012 3:21:37 AM NZST
To: N0ISYLAND <noneofyourbusiness@somewhere.nz>
Subject: Information about your video ""Mourning of Youth" (1987) by AXEMEN"
Dear N0ISYLAND,
WMG has reviewed your dispute and released its copyright claim on your video, 
""Mourning of Youth" (1987) by AXEMEN". 
For more information, please visit your Copyright Notice page
Sincerely,
 - The YouTube Team
----------------------------------------------------------------------------

Stateside Axemen Spin-off Series Season 1 Comes to a Close

Season Finale Pt 3: universally praised

With an episode with the knife-edge cliffhanger to rival the ‘Who Shot JR?’ Dallas episode, the RICHY27ABLE  channel’s first season drew to a close on Tuesday 15 June with the much awaited SEASON FINALE.

Playing to tens of viewers stateside and countless on the Worldwide Web the series was universally acclaimed by critics and the across the Blogosphere and the Twitterverse.

The New York Times described the final episode as ‘Fellini-esque and quite superb’ while Egyptian dissident Hamand X tweeted “for 3 and a half minutes, the revolution stopped 🙂 for 200 seconds there was no conflict :O”, as he shared his iPod screen with soldiers who minutes ago had been sniping at them but laid down their arms to join the rebels in another kind of revolution, the YouTube.

Fusil de Chasse: vaunted runaway indy hit

Adding to the speculation is the question mark over Bens participation in the next series following the runaway success on the independent circuit of his ‘Fusil de Chasse’ following its last minute inclusion as a short at Sundance this year. Whist Ben dismisses such rumors as speculation it was widely reported he was seen in long discussions with Redford following the screening.