October 2010 finds the dysfunctional Axemen family in myriad modes, each in his own sphere, each with their own worldview, each finding new connections, disconnecting others some halfhearted some heartfelt some hearty beef some harkening some heartlessly hardened, haggling and harrying. don’t ask don’t tell.
The Sultan’s Bat Tree
some haranguing, some balls dangling sanguine like,
making a beeline for anything that smiles.
I see your point it stands out like a dogs bollocks
please can i have a block of your skin for my locket.
ditching a bat with simple bamboo slivers
tickling till the echoes subside
bats have no sense of humour
cave wetas may fear better
Found these on a Christchurch City Council Libraries website of all places . . .
The first is from late 82 or early 83, advertising a gig at the infamous Empire Tavern in Dunedin. This poster was scrapped together from old posters and other art by Stu and whacked out in a night at the notorious Ink Inc. studio at 2/222 High St, Christchurch. Above Ground was the band Stu was in with Bill Direen, Carol Woodward and Maryrose Wilkinson (now M. Crook in The Renderers), while the Gorillas were 16-year-old Stevie’s high-school group whose other half was comix-maestro-to-be Pete Rees. They travelled down from Christchurch for the gig. The Cartilage Family was Peter Gutteridge, Shayne Carter & Christine Voice’s then-band, locals we’d befriended over the years.
Stevie said to me afterwards, as he sipped his post-set lemonade and we watched Above Ground, “Darn it, but I wish we could find a drummer like that old geezer.” “Aye laddie, he’s no Ringo Starr, but he just might be that John Lennon’s love-child.”
The second is maybe months later, from Christchurch, this time promoting an Above Ground gig and the release of their home-made tape GONE AIWA. This is vintage (nay, prehistoric!) Stu. Note particularly the cassette-as-icon, bio-diverse animal imagery (2 mammals, 2 birds), totemic nouns (Aztec, Leadbelly) & recycled typography. On view then are 3 key elements of the art/craft livelihood practised by the evolving Homo Axemenus (self-released product + cassette format + grand poster style) in nascent form. [BB, paleoaxeologist]