Knock-Knock Who’s-There Smell-Map

Map 1 here shows the whereabouts of various members of the
Axemen in the first few months of the band’s existence.

PHOTO-ESSAY: A LITTLE BIT OF YESTERDAY

South Dunedin, home of the South Dunedin sound

South Dunedin – home of the South Dunedin Sound.

Maureen of the Empire Tavern
about to burn life-size effigy of Little Stevie McCabe.

<– South Dunedin | Starliners (so-called) | Christchurch –>

<–Alpha Centauri | Starliners (actual) | Eta Tandoori–>

Christchurch, 1983

Enjoy Christchurch graphic by Stu pre-dated the Absolutely Wellington campaign by at least a decade!
Enjoy Christchurch graphic by Stu pre-dated the try-hard Absolutely Wellington campaign by at least a decade!
Christchurch's Disco Queen Mere Nihoniho at Caledonian Hall '77 by Kowalski
Christchurch's Disco Queen Mere Nihoniho at Caledonian Hall '77 by Kowalski

*

Accompanying this photo-essay are some more tracks recorded live at the Star & Garter on 4-11-83:

cassette recorder

untitled (sounds
like fiery jack)

get down

9 candles on the cake

a little bit of yesterday (johnny cash)

Prehistoric Posters from Dunedin & Christchurch

Found these on a Christchurch City Council Libraries website of all places . . .

Above Ground Cartilage Family

The first is from late 82 or early 83, advertising a gig at the infamous Empire Tavern in Dunedin. This poster was scrapped together from old posters and other art by Stu and whacked out in a night at the notorious Ink Inc. studio at 2/222 High St, Christchurch. Above Ground was the band Stu was in with Bill Direen, Carol Woodward and Maryrose Wilkinson (now M. Crook in The Renderers), while the Gorillas were 16-year-old Stevie’s high-school group whose other half was comix-maestro-to-be Pete Rees. They travelled down from Christchurch for the gig. The Cartilage Family was Peter Gutteridge, Shayne Carter & Christine Voice’s then-band, locals we’d befriended over the years.

Stevie said to me afterwards, as he sipped his post-set lemonade and we watched Above Ground, “Darn it, but I wish we could find a drummer like that old geezer.” “Aye laddie, he’s no Ringo Starr, but he just might be that John Lennon’s love-child.”

Stu in a typically confused pre-AXEMEN state, Christchurch, 1982
Stu in a typically confused pre-AXEMEN state, Christchurch, 1982

Above Ground poster twk The second is maybe months later, from Christchurch, this time promoting an Above Ground gig and the release of their home-made tape GONE AIWA. This is vintage (nay, prehistoric!) Stu. Note particularly the cassette-as-icon, bio-diverse animal imagery (2 mammals, 2 birds), totemic nouns (Aztec, Leadbelly) & recycled typography. On view then are 3 key elements of the art/craft livelihood practised by the evolving Homo Axemenus (self-released product + cassette format + grand poster style) in nascent form. [BB, paleoaxeologist]